by Robert Rollin
Last Friday evening, March 9, Opera Western Reserve joined The Warren Philharmonic for an outstanding performance of George & Ira Gershwin’s iconic Porgy and Bess at Stambaugh Auditorium. Karen Clark Green and David Vosburgh, collaborating as stage directors, successfully propelled the action along. [Read more…]
by Daniel Hathaway
Jonathon Field’s Oberlin Opera Theater shows are always fresh and surprising, but his versions of Donizetti’s Viva la Mamma and Poulenc’s Les Mamelles de Tiresias burst onstage Wednesday evening in a laughfest of satire and surrealism. With casts that would put many professional companies to shame, these are must-see productions that will prick up your ears and kick-start your imagination. [Read more…]
by Nicholas Jones
Opera is a great medium for exploring the courage of acting for freedom and the personal cost of heroic resistance. There is something built into the art form that deepens our view of even the most resolute of actions, showing us the often tragic consequences of taking the courageous path. We can hardly hear Vissi d’arte without understanding both Tosca’s heroism and the pain that comes with it. [Read more…]
by Daniel Hautzinger
Opera in a dance club? Why not? Opera can be intimidating and ridiculous, with its gilded houses, extravagant length, fantastic plots, and the bewildering phantasmagoria that generally appears onstage. There’s a reason why it’s parodied so frequently. So it was refreshing to see digestible, one-act operas about everyday people presented by Oberlin Opera Theater in the basement Dionysus Disco, better known to the sweaty college revelers who are its normal customers as the ‘Sco. [Read more…]