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Quire Cleveland: fifteen minutes with new conductor Jay White

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by Daniel Hathaway

Conductor Jay White is leading Quire Cleveland into its second decade this season following the retirement of the professional choir’s founders, Ross W. Duffin and Beverly Simmons. His debut program at St. John’s Cathedral in downtown Cleveland on Friday, November 2 at 7:30 pm is a complex web of music celebrating All Saints and All Souls Days.

White, who toured as a countertenor for eight seasons with Chanticleer, and now serves as professor of voice at Kent State, has put together a program that interleaves Gregorian chants of the Requiem Mass with mass movements by several different Renaissance composers, and memorial motets written in honor of Machaut, Ockeghem, Josquin, and Tallis. The concert will be repeated on Saturday, November 3 at 7:30 pm at St. Sebastian Church in Akron.

In a telephone conversation from his office at the University, White noted that his long experience as a professional vocalist gave him a lot of repertory to choose from. [Read more…]

Les Délices at Plymouth: “Dido’s Lament” with Maria Christina Cleary & Clara Rottsolk (March 11)

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by Daniel Hathaway

Les Delices 031118Les Délices’ artistic director Debra Nagy quipped to the audience in Herr Chapel at Plymouth Church on Sunday, March 11, that the afternoon’s program could be nicknamed “Dido three ways.” Joined by the wonderful soprano Clara Rottsolk and the splendid Baroque harpist Maria Christina Cleary, Nagy and her ensemble explored the tragic story of Dido, Queen of Carthage, as chronicled in gripping performances of highly dramatic music by a trio of composers: Francesco Cavalli, Michel-Pignolet de Montéclair, and Henry Purcell. [Read more…]

Les Délices to present “Dido’s Lament”: a conversation with Baroque harpist Maria Christina Cleary

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by Mike Telin

Cleary-MariaDebra Nagy’s latest Les Délices creation, “Dido’s Lament,” will view the famous queen of Carthage from three emotional and musical perspectives. The tragic story of Dido, who was famously deserted by the Trojan warrior Aeneas, is based on Book 4 of Virgil’s classical epic The Aeneid. The program will include excerpts from Purcell’s Dido and Aeneas, Cavalli’s Didone, and Montéclair’s La Mort de Didon.

The concerts, held on Saturday, March 10 at 8:00 pm in Lakewood Congregational Church, and on Sunday, March 11 at 4:00 pm at Plymouth Church in Shaker Heights, will feature soprano Clara Rottsolk, harpist Maria Christina Cleary, oboist Debra Nagy, violinists Julie Andrijeski and Scott Metcalfe, violist Allison Monroe, viola da gambist Jaap ter Linden, and harpsichordist Eric Milnes. Tickets are available online.

On Saturday at 3:00 pm at the Bop Stop, the ensemble will present “Instrument of the Angels,” an LD@Play family concert. Registration is recommended.

In an email Debra Nagy said that she is thrilled to bring Maria Christina Cleary from Milan, Italy for these performances.

[Read more…]

Les Délices begins ninth season with a celebration

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by Mike Telin

LesDelices5Over the past eight years, Les Délices has presented well-researched, thought-provoking, and highly entertaining concerts that explore music and topics of the French Baroque.

During recent seasons the ensemble’s founder and artistic director, Debra Nagy, has created imaginative programs such as A Woman Scorned, which explored universal themes of desire, jealousy, shame, and revenge by giving voice to the spurned lovers of antiquity.

She introduced audiences to the famous pair of viola da gamba players of the 18th century, Marin Marais and Antoine Forqueray, during The Angel and the Devil. Nagy’s programs have often highlighted social issues of the time that remain relevant today. We’ve learned that finding ways to circumvent rules has always been a popular pastime. And the ensemble also presented the only area concert in living memory that featured the hurdy-gurdy.

[Read more…]

Les Délices: “Songs Without Words” at Plymouth Church (October 16)

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by Mike Telin

NAGY-DebraA good song is a good song, and for centuries vocal music has been a fruitful source of repertoire for instrumentalists. In “Songs Without Words,” Les Délices artistic director Debra Nagy has created an inspired program that juxtaposes 17th-century art songs with 20th-century jazz standards. [Read more…]

Les Délices ventures into jazz standards with its “Songs Without Words” concerts

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by Mike Telin

NAGY-Debra“Instrumentalists, especially during the last couple of decades of the 17th century, would often turn to vocal music as a source of repertory for their solo playing,” said Debra Nagy, Les Délices Artistic Director, during a recent interview. “This program uses that idea as its point of departure and brings the concept into the 20th century with jazz standards arranged for and improvised by the ensemble.”

On Saturday, October 15 at 8:00 pm at SPACES, and on Sunday at 4:00 pm at Herr Chapel, Plymouth Church, Les Délices will kick off its new season with a program titled “Songs Without Words.” The program will feature torch songs spanning the 17th to 20th centuries, including music by Michel Lambert, Marin Marais, Billy Strayhorn, and Nina Simone. [Read more…]

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