by Jarrett Hoffman

•Today: Cleveland Orchestra plays The Magic Flute, No Exit concludes its Year of Surreality season with “Breaking the World,” Oberlin presents “The Grand Piano Extravaganza,” and M.U.S.i.C. puts on “Two Pianos and More”
•In the news: “an antiquated system in bad need of repair” — a look into the orchestral tenure process, including accusations that race played a role in the dismissal of former Kansas City Symphony principal percussion Josh Jones (pictured)
•Almanac: the strange story of Bridgetower, Beethoven, and the “Kreutzer” Sonata



IN THIS EDITION:
“It’s like putting on all the Shakespeare plays in a month — it takes all your heart and soul and energy,” Cavani Quartet founder and primo violin Annie Fullard said in a recent telephone conversation about their “
Credit Opus 47 for inspiring the complete cycle of Beethoven’s violin sonatas that James Ehnes and Andrew Armstrong are touring this season to celebrate the composer’s 250th birthday.