James Hettinga Archives - Cleveland Classical

ENCORE Chamber Music at CIM’s Mixon Hall (July 14)

July 18, 2017 by Samantha Spaccasi

by Robert Rollin

Murrath Franz Schubert stole the show in ENCORE Chamber Music’s Friday evening, July 14 Mixon Hall concert. Two of the composer’s works showcased the talents of violist Dimitri Murrath (left), playing with two other talented Festival faculty.

The program’s highlight was a transcription of Schubert’s Erlkönig presented by violinist Jinjoo Cho and Murrath. The performance was stunning. Cho began the pulsating, triplet accompaniment at top speed and Murrath answered with the melody. [Read more…]

Cleveland Orchestra Youth Orchestra premiere: inside views from Daniel Fields & James Hettinga

November 15, 2016 by Mike Telin

by Mike Telin

Like youth in all its exuberance, fountains make a powerful ascent until the water reaches its highest point. Then, like growing old, it begins to fall back down into the pool. In his new work, composer Roger Briggs uses this metaphor as the inspiration for his eighteen-minute tone poem. On Friday, November 18 at 8:00 pm at Severance Hall, the Cleveland Orchestra Youth Orchestra (COYO) under the direction of Brett Mitchell will present the world premiere of Briggs’ Fountain of Youth, commissioned by COYO. The program will also include Bruckner’s Symphony No. 4 (“Romantic”).

In the last of three feature articles, we speak with two orchestra members: violinist Daniel Fields and cellist James Hettinga. Click here to read an interview with conductor Brett Mitchell, and here to read an interview with composer Roger Briggs. [Read more…]

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

[Read on…]

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

BlueWater Chamber Orchestra with violinist David McCarroll in Rocky River (Nov. 23)

by Daniel Hathaway

Let’s cut to the chase and simply say that it would be difficult to imagine a more perfect and moving performance of Beethoven’s Violin Concerto than the one David McCarroll gave with Daniel Meyer and BlueWater Chamber Orchestra on Sunday afternoon, November 23 at Rocky River Presbyterian Church. We’ll come back to that thought.

The straight-through performance preceded the Beethoven with works by Cleveland composer Margaret Brouwer and a youngish Aaron Copland.

Brouwer’s engaging and popular The Art of Sailing at Dawn evokes memories of growing up on the Great Lakes. A flute conjures sonic images of gulls, and subtle waves support a lovely oboe solo before the wind kicks up and dark clouds assemble. A storm erupts, but soon passes, leading to a quiet ending. [Read on…]

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