by Peter Feher

“Are you surprised?” A little bit of audience astonishment — all in good sport — was exactly what the Quintet of the Americas hoped to elicit with its Colombian-centric chamber program for Kent Blossom’s Faculty Concert Series.
by Peter Feher
by Peter Feher

“Are you surprised?” A little bit of audience astonishment — all in good sport — was exactly what the Quintet of the Americas hoped to elicit with its Colombian-centric chamber program for Kent Blossom’s Faculty Concert Series.
by Stephanie Manning

Their program, “Grooves and Meditations,” included some familiar names from their 2024 outing, including Paquito D’Rivera and Andy Akiho. But there were also plenty of new additions, like composer Fazıl Say and his piece Alevi Dedeler rakı masasında. The four-movement work is essentially about “old grandpas getting drunk at the bar,” bassoonist Monica Ellis said with a grin. [Read more…]
by Peter Feher
by Peter Feher

On Wednesday, June 25, in Ludwig Recital Hall, pianist Jon Kimura Parker and the five members of WindSync came together in a dynamic performance of George Gershwin’s Rhapsody in Blue that somewhat confounded categories.
“Piano sextet” is the usual name for this combination of instruments, and Gershwin’s composition could easily be subtitled “a concerto in one movement.” Yet neither designation would do justice to the spirit of this collaboration, in which every musician shone.
by Stephanie Manning

“Friendship is a requirement to open up and enjoy this piece,” clarinetist Afendi Yusuf said of the opener, Mozart’s Clarinet Quintet — though this sentiment could equally apply to Schubert’s Octet that followed. The July 17 performance in Kent State University’s Ludwig Recital Hall proved that the group had the friendship element in spades. [Read more…]
by Peter Feher
by Peter Feher

The Wednesday, July 10 faculty concert in Ludwig Recital Hall brimmed with optimistic, enthusiastic music-making. The Poiesis Quartet, the string ensemble-in-residence at Kent Blossom this summer (a role filled in previous seasons by the venerable Miami String Quartet), has been together for less than two years. Yet this fresh-faced group — violinists Sarah Ma and Max Ball, violist Jasper de Boor, and cellist Drew Dansby, all recent alums of Oberlin Conservatory — already plays like an ensemble with a long and storied history.
by Stephanie Manning

The evening’s program, “Black and Brown II: A Celebration of Composers of Color,” was understandably similar to the one from March, although not without some notable changes. [Read more…]
by Daniel Hathaway

Their adventurous programming, imaginative collaborations and outreach endeavors have inspired audiences of all ages and backgrounds.
Tonight at 7:30 pm in Ludwig Recital Hall, the Kent/Blossom Music Festival will present the Imani Winds. Tickets available online.
I caught up with Imani’s clarinetist Mark Dover yesterday by phone to ask about the ensemble’s residency and this evening’s repertoire.
by Peter Feher
by Peter Feher

A mix of student and faculty players took the stage for Wednesday’s program, which was originally meant to feature a trio of past and present Orchestra members. Assistant principal flutist Jessica Sindell still anchored the performance, but her colleagues — pianist Joela Jones and cellist Richard Weiss — had to withdraw, with Jones citing health reasons. Two student chamber ensembles, coached by Jones and Sindell, were ready to step in, bringing some of the waiting-in-the-wings energy that makes each summer at Kent Blossom so stimulating.
The standout piece of the evening was destined to make a splash. [Read more…]
by Jacob Strauss

The scheduled program by the McGill/McHale Trio was changed due to the unavailability of flutist Demarre McGill and pianist Michael McHale, but there was no change in expectation for the artistry that was going to occur. Anthony McGill is world-renowned, and Daniel Schlosberg is a talented composer and performer who has collaborated with some of our best contemporary musicians.
Jackson began the program with a recitation of Langston Hughes’ poem “Helen Keller” — the first of five poems by Hughes that served as interludes between each piece on the first half. [Read more…]
by Jarrett Hoffman

Gabriel Fauré’s Piano Quartet No. 2 in g will be the focus when Myer and the Miami get this tradition going again on Tuesday, July 19 at 7:30 pm at Kent State University’s Ludwig Recital Hall. Of course, the Quartet will be minus one fiddle for that piece, but not to worry: violinists Benny Kim and Cathy Meng Robinson, violist Scott Lee, and cellist Keith Robinson will all come together in string quartets by Joseph Haydn (Op. 77, No. 1) and Samuel Barber (Op. 11). Tickets are available here.
Myer has played Fauré’s First Piano Quartet before, but the g-minor — which he described as grittier and with more gravitas — is new to him. And what a warm welcome it gives to any pianist: a series of quick 32nd-note gestures right at the top, repeated again and again, and again.