Kiko Weinroth Archives - Cleveland Classical

Cleveland Chamber Choir & BlueWater Chamber Orchestra (May 19)

May 22, 2018 by Timothy Robson

by Timothy Robson

The Cleveland Chamber Choir and BlueWater Chamber Orchestra combined forces under Choir conductor Scott MacPherson to play the first of two weekend concerts on Saturday, May 19 at First Baptist Church of Greater Cleveland.

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BlueWater + Cleveland Chamber Choir: the phone call from Carlton Woods to Scott MacPherson

May 15, 2018 by Jarrett Hoffman

by Jarrett Hoffman

Last year, Carlton Woods was scheduled to conduct the first joint performance between his BlueWater Chamber Orchestra and Scott MacPherson’s Cleveland Chamber Choir. But when Woods fell ill, he called MacPherson (left), who stepped in to lead that concert — the premiere of Sam Guarnaccia’s Emergent Universe Oratorio at the Maltz Performing Arts Center.

Another phone call came with worse news. “Carlton was trying to set up his season this year for BlueWater,” MacPherson said during a recent interview, “because he knew he wasn’t going to live to see the day.”

Woods asked MacPherson if he would lead another collaboration between the two chamber ensembles. The BlueWater founder requested two selections for chorus and orchestra, and one for orchestra alone — and that’s what MacPherson will deliver on two dates this weekend.

On Saturday, May 19 at 7:30 pm at First Baptist Church in Shaker Heights, then on Sunday, May 20 at 3:00 pm at Baldwin Wallace University’s Gamble Auditorium, MacPherson will lead BlueWater and his own Cleveland Chamber Choir in “Vocal Verve.” [Read more…]

Cleveland Chamber Choir at John Knox Presbyterian (Oct. 28)

November 15, 2016 by Daniel Hathaway

by Daniel Hathaway

After singing its “Americana” program at First Baptist Church in Shaker Heights on October 22, the 30-voice Cleveland Chamber Choir moved to John Knox Presbyterian Church in North Olmsted for a second performance on Friday, October 28. Conductor Scott MacPherson curated his program of American choral music with the election season in mind. Not as a rah-rah patriotic exercise, but rather to explore the rich heritage of vocal traditions that have been practiced within these shores over the past two-and-a-half centuries. [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

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