King's College Cambridge Archives

CD Review
Harpist Parker Ramsay plays Goldbergs in King’s College Chapel

September 22, 2020 by Daniel Hathaway

by Daniel Hathaway

Johann Sebastian Bach’s Aria with Thirty Variations, nicknamed (not by the composer) after Johann Gottlieb Goldberg, the harpsichordist who was retained to play them on command for an insomniac patron, have been adapted by performers for many other instruments — most notably for the piano and most famously by Glenn Gould.

Joining a long list of arrangers, Parker Ramsay has now transcribed the Variations for the modern pedal harp, an instrument for which he holds a master’s degree from Juilliard, in addition to a degree in history from Cambridge University, plus a master’s in historical performance (organ and harpsichord) and an artist diploma (organ) from Oberlin. [Read more…]

Harpist Parker Ramsay releases Debut CD: Bach’s Goldberg Variations

September 15, 2020 by Mike Telin

by Mike Telin

“To transcribe the music of Bach is to undertake the spirit of Bach,” harpist Parker Ramsay said during a Zoom interview. “He would often transcribe his own music for other instruments, as well as music of other composers.”

On Friday, September 18, Ramsay’s debut recording, Bach: Goldberg Variations, will be released on the King’s College Recordings label. The album will be available on CD and to stream and download via all major digital music services. Recorded in King’s College Chapel in Cambridge, England, the album includes liner notes by Pulitzer Prize-winning music critic Tim Page and leading Bach scholar Burkhard Schwalbach.

Ramsay noted that people have been transcribing Bach’s music for many years for a variety of instruments including the Moog synthesizer. “I love Wendy Carlos’ Switched-on Bach,” he said. “It’s just incredible.” In his recent New York Times essay, Ramsay muses on Bach, transcriptions, and instrumentation.

When asked why he chose such an iconic work for his debut recording, Ramsay said that he wanted to present the harp as an instrument that is not just capable of playing new music or idiomatic music, but one that is worthy of the great works in the classical canon. “I also wanted to highlight all the different types of education that I have had.” [Read more…]

Organist Stephen Cleobury at St. Paul’s, Cleveland Heights (Feb. 26)

March 2, 2016 by Daniel Hathaway

by Timothy Robson

As Director of Music at King’s College, Cambridge, Stephen Cleobury presides over one of the best-known choirs in the world in the college’s famously reverberant medieval chapel, as well as over its massive organ (currently removed for a year to undergo restoration). He also maintains his own career as an international concert organist and conductor. [Read more…]

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

[Read on…]

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

BlueWater Chamber Orchestra with violinist David McCarroll in Rocky River (Nov. 23)

by Daniel Hathaway

Let’s cut to the chase and simply say that it would be difficult to imagine a more perfect and moving performance of Beethoven’s Violin Concerto than the one David McCarroll gave with Daniel Meyer and BlueWater Chamber Orchestra on Sunday afternoon, November 23 at Rocky River Presbyterian Church. We’ll come back to that thought.

The straight-through performance preceded the Beethoven with works by Cleveland composer Margaret Brouwer and a youngish Aaron Copland.

Brouwer’s engaging and popular The Art of Sailing at Dawn evokes memories of growing up on the Great Lakes. A flute conjures sonic images of gulls, and subtle waves support a lovely oboe solo before the wind kicks up and dark clouds assemble. A storm erupts, but soon passes, leading to a quiet ending. [Read on…]

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