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Les Délices explores music of the 14th Century Avant-garde

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by Mike Telin

“My heart always comes back to Medieval music — it’s just so beautiful,” Les Délices artistic director Debra Nagy said during a telephone conversation. “This wonderful program is full of my favorite pieces from that repertoire.”

On Friday, November 22 at 7:30 pm at First Congregational Church in Hudson, Les Délices will present “14th Century Avant-garde.” The evening features music by Guillaume de Machaut, Jacob Senleches, and Johannes Suzoy performed by mezzo-soprano Sophie Michaux, tenor James Reese, Scott Metcalfe (vielle & gothic harp), and Debra Nagy (recorders, douçaines, harp, and voice).

The program will be repeated on Saturday, November 23 at 7:30pm at Inlet Dance Theater in Cleveland and Sunday, November 24 at 4:00pm at Disciples Christian Church in Cleveland Heights. Tickets are available online.

[Read more…]

Les Délices conjures Arcadia in high quality (Oct. 20)

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by Stephanie Manning

Arcadia: that mythological Eden, that utopian natural paradise. The members of Italy’s Arcadian Academy, established in the late 17th century, aimed to replicate that pastoral life via the arts. And on October 20, Les Délices sought to do the same, by performing the music of composers from the Academy and beyond.

“Arcadian Dreams,” a program featuring soprano Hannah De Priest, gave the Harkness Chapel audience a taste of the early music group’s next recording. In fact, the musicians were gearing up to get in the studio the very next day — and they delivered a suitably high-quality performance in the process. [Read more…]

Les Délices to unveil “Arcadian Dreams”

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by Mike Telin

For their latest performance and recording project, Les Délices has turned to the bucolic paradise of Arcadia — a place of pastoral perfection where nature and humanity are in perfect balance  — for inspiration.

“Arcadian Dreams” features works for soprano and chamber ensemble by Jean-Philippe Rameau and a young Georg Frederic Handel, rarely-performed pieces by Louis Lefebvre and Thomas Louis Bourgeois, and music by Arcangelo Corelli and Domenico Scarlatti.

The premiere performances are on Saturday, October 19 at 2:00 pm at the Hudson Library & Historical Society — click here for a seating reservation — and Sunday, October 20 at 7:30 pm at Harkness Chapel. Tickets are available online.

I caught up with Les Délices oboist and artistic director Debra Nagy and soprano Hannah De Priest by Zoom. I began by asking them how the project came about.

[Read more…]

Les Délices makes magic in “Moonlit Mozart” (Oct. 5)

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by Peter Feher

There were no sets, costumes, or actors in sight when the strains of Mozart’s Overture to The Magic Flute started up at Disciples Christian Church in Cleveland Heights on Saturday, October 5. Yet Les Délices, the enterprising and adaptable period-instrument ensemble led by oboist and artistic director Debra Nagy, was putting on a serious production all the same.

Eight specialist wind players had come together for “Moonlit Mozart,” the first concerts of Les Délices’ 2024-25 season. (Two additional performances, in Akron on October 3 and in Rocky River on October 6, filled out the weekend.)

“This is a bucket-list program for me,” Nagy explained from the stage, detailing the reasons why this once-standard combination of instruments is so rarely heard today. [Read more…]

Les Délices opens its season with “Moonlit Mozart” Serenades

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by Mike Telin

It’s delightful to read that Wolfgang Amadè Mozart, whose music has charmed so many ears, could surprise and charm himself. He wrote in a letter to his father from Vienna on his name-day, November 3, 1781:

“At eleven o’clock at night I was treated to a serenade performed by two clarinets, two horns and two bassoons — and that of my own composition. These musicians asked that the street door might be opened and, placing themselves in the center of the courtyard, surprised me, just as I was about to undress, in the most pleasant fashion imaginable with the first chord in E-flat.”

This week, Les Délices will open their season with “Moonlit Mozart.” Oboists Debra Nagy and Kathryn Montoya, clarinetists Eric Hoeprich and Madison Vienna, bassoonists Stephanie Corwin and Clay Zeller-Townson, hornists Nathanael Udell and Sadie Glass, and double bassist Sue Yelanjian will perform selections from The Magic Flute and Don Giovanni, the Adagio from the Serenade in E-flat, K. 375, and the Serenade in C minor, K 388.

[Read more…]

Les Délices: Debra Nagy’s singular, ambitious Four Seasons (Apr. 13)

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by Peter Feher

Most Clevelanders spend at least part of the year wishing they could change the seasons here. But oboist Debra Nagy has actually done it with her ambitious rearrangement of Antonio Vivaldi’s The Four Seasons.

In adapting these familiar violin concertos to the strengths and tastes of Les Délices — her period-instrument ensemble that continues to push historical performance in unexpected directions — Nagy has achieved something singular. [Read more…]

Les Délices concludes 15th anniversary with “Seasons Transformed”

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by Mike Telin

From the beginning of time, artists have been inspired by the seasons, and no musical work dedicated to them is more recognizable than Vivaldi’s set of violin concertos Il Quattro Stagioni or The Four Seasons. His music has inspired admirers and imitators alike.

On Friday, April 12 at 7:30 pm at the Akron Civic Theater, to conclude the ensemble’s 15th anniversary season, Les Délices will present “Seasons Transformed.” The program will be repeated on Saturday at 7:30 pm at Disciples Cultural Arts Center and Sunday at 4:00 pm at West Shore Unitarian Universalist Church. Tickets are available online.

[Read more…]

Les Délices: Song of Orpheus at Disciples Center (March 10)

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by Daniel Hathaway

The ancient Greek legend of Orpheus and Eurydice is much on the minds of two local organizations this month.

From March 21-24, Oberlin Opera staged four performances of Claudio Monteverdi’s 1607 L’Orfeo in Hall Auditorium.

From March 8-10, Les Délices related the tale of Orpheus’ ill-fated visit to the Underworld to rescue his wife Eurydice from the clutches of Pluto in music by Philippe Courbois, Jean-Philippe Rameau, Georg Philipp Telemann, and most recently by Jonathan Woody in his cantata By much love betray’d.

Also a celebrated baritone, Woody took the role of the god of music himself, assisted by mezzo soprano Sophie Michaux, baroque oboist Debra Nagy, violinist Shelby Vamin, gambist Rebecca Landell, and harpsichordist Mark Edwards. I heard the last of three performances on Sunday, March 10 at Disciples Center. [Read more…]

Les Délices to present live premiere of “Song of Orpheus”

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by Mike Telin

Prior to Les Délices’ premiere of “Song of Orpheus” in a video format in October of 2021, bass-baritone and composer Jonathan Woody told this publication that he was excited when the ensemble’s artistic director, Debra Nagy, asked him to compose a new work for the program. “She asked if I would write something for their traditional forces of oboe, violin, gamba, and harpsichord. I loved that because as a singer, so often people ask me to compose vocal works. To get to write something that doesn’t have a vocal part was a fun challenge for me.” 

This week Les Délices will present the live premiere of “Song of Orpheus,” a program of musical works inspired by the Orpheus myth. [Read more…]

Les Délices: Noel, Noel at Holy Trinity, Akron (Dec. 20)

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by Kevin McLaughlin

Giving hope and joy at the darkest time of the year is one reason, maybe the reason, for the timing of holiday celebrations in December, and music and poetry are good ways to ward off the cold and gloom.

Les Délices’ Christmas-themed program, this year titled “Noel, Noel,” offered many glimmers of cheer on Wednesday evening, December 20 at Holy Trinity Lutheran in Akron. But on their journey from the contemplative toward the celebratory, this serious band seemed more comfortable with the former than the latter.

The program grouped beloved carols, seasonal hymns, and seventeenth century instrumental variations into six sets, like stages on a Christmas journey, from “Darkness” through “Hope,” “Peace,” “Joy” and “Love,”  to “Light,” with poetry readings in between. But the musicians’ devotion to skill and restraint came through the loudest.

[Read more…]

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