by Nicholas Stevens
The history of any art form consists of generalizations, some useful, others reductive, many both. Take classical music: hastily scribbled timelines have too often redrawn the vast panorama of postwar composition into a knot of abstract forms. Advocates of contemporary composition and performance have often pushed back on this stereotype with words, but in a recent concert, Cleveland’s Ars Futura ensemble emphasized the range of its repertoire also in deed. [Read more…]
by Hannah Schoepe
To be “veiled” suggests a loss of orientation, dimmed sight, and a shadowy sense of mystery — ideas that are captured in Cleveland-based Ars Futura Ensemble’s newest album, Veil. Released by Navona Records on September 14, the playlist consists of five multifaceted, many-hued works by Cleveland State University faculty member Greg D’Alessio. [Read more…]
by Daniel Hathaway
The CIM faculty recital on October 26 in Mixon Hall featured members of Ars Futura and guests in a program of music by Pierre Boulez and others, all related in some way to the career of the late, great French composer and conductor. The performance was the fourth of five concerts created by CIM composition head Keith Fitch to celebrate “The Boulez Legacy,” and the second to explore “Boulez the Modernist.” [Read more…]
by Mike Telin
Since performing its inaugural concert in 2013, the Cleveland-based new music ensemble Ars Futura has quickly established itself as a dynamic force in the area’s burgeoning contemporary classical music scene. Judging from their engaging BOP STOP performance on Monday, March 23rd as part of NEOSonicFest, the ensemble is not only a collective of six accomplished players, but flutist Madeline Lucas Tolliver, clarinetist Drew Sullivan, violinist Tara Lynn Ramsey, cellist Daniel Pereira, pianist Shuai Wang and percussionist Luke Rinderknecht also know how to present the music in a way that leaves you wanting more. [Read more…]