Mark Dumm Archives - Cleveland Classical

Aaron Diehl and The Cleveland Orchestra wow audience at Blossom (July 2)

July 5, 2017 by Samantha Spaccasi

by Samantha Spaccasi

What could be better than an evening of sitting on the lawn of Blossom Music Center — summer home of The Cleveland Orchestra, wine in hand, enjoying a picnic dinner while waiting to hear the ensemble play with pianist Aaron Diehl? Not much. On July 2, Diehl and the Orchestra, conducted by Jahja Ling, performed an array of favorites. [Read more…]

Cleveland Orchestra: a Roman triptych with Beethoven to open (Oct. 6)

October 11, 2016 by Daniel Hathaway

by Daniel Hathaway

There would be lots of musical benefits if time travel ever became a reality. You could go back and ask J.S. Bach some pertinent questions, find out what really happened at the premiere of The Rite of Spring, and experience the music of Ottorino Respighi with fresh ears before his spectacular orchestral extravaganzas got appropriated by Hollywood. [Read more…]

Behind the scenes at the Cleveland International Piano Competition

August 3, 2016 by Mike Telin

by Mike Telin

Long before the pianists arrive and each session begins, a whole group of people arrive to begin work backstage at Gartner Auditorium — making sure that microphones and cameras are properly placed and focused, that the audio and video feeds are working, that pianos are tuned, that radio broadcasts are announced, and that ushers are ready to take tickets, seat the audience, and deal with latecomers.

When I arrived in the lobby one hour prior to the 7:00 start time for the chamber music segment of the finals on Tuesday, the ushers were busy preparing to receive the audience, and volunteers were stocking the competition gift shop with program books, CDs and other CIPC items.

When audio engineer Alan Bise meets me and takes me backstage, the piano technician is busy tuning the Hamburg Steinway that both Georgy Tchaidze and Nikita Mndoyants had chosen for their performances with the Escher String Quartet. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

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