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Elim Chan directs Cleveland Orchestra at Blossom Music Center in Maurice Ravel’s Shéhérazade with Gustav Mahler’s Symphony No. 1 (Aug. 9)

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by Kevin McLaughlin

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio — The Cleveland Orchestra on Saturday offered a summer evening of musical storytelling that was alluring and colorful without excess.

Under the elegant and incisive direction of Elim Chan at Blossom Music Center, the program paired Maurice Ravel’s Shéhérazade with Gustav Mahler’s Symphony No. 1 in performances redolent of perfume and sonic splendor.

Coinciding with the 150th anniversary of Maurice Ravel’s birth, the opener was Shéhérazade, a 1903 song cycle with words by Tristan Klingsor, the pen name of French poet, painter, and composer Léon Leclère.

[Read more…]

Cleveland Orchestra with Gilbert & Yancich: Oliverio, Haydn & Nielsen pack a program (Jan. 5)

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by Daniel Hathaway

Rebounding with vigor on January 5 from its loaded holiday schedule while other ensembles were still in recovery mode, The Cleveland Orchestra gave a thoroughly enjoyable concert of completely unrelated works, including a new concerto by James Oliverio featuring principal timpani Paul Yancich, and not-so-often performed symphonies by Joseph Haydn and Carl Nielsen.

Presiding over this interesting stew like an adventurous chef, guest conductor Alan Gilbert threw in a surprising ingredient or two that the smallish audience of 800 lapped up as if hungry for something both piquant and nourishing after a diet of Noëls.

The Mandel Hall stage was full of drums — the normal number at the back of the orchestra, plus seven more set in a tight circle where the first violins usually hold forth — for the opening work, Oliverio’s Legacy Ascendant, Concerto for Timpani and Strings, commissioned by The Cleveland Orchestra. [Read more…]

Cleveland Orchestra with Denève & Said (Feb. 19)

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by Daniel Hathaway

A long line at the Will Call window at Severance on Saturday evening, February 19 meant that a number of Cleveland Orchestra patrons missed hearing Guillaume Connesson’s Flammenschrift, the first item on Stéphane Denève’s program.

By way of consolation, soprano Fatma Said’s luminous singing in Maurice Ravel’s Shéhérazade made up for the delay.

Drawn to the exoticism of The Arabian Nights, in 1904 Ravel wrote both an overture and a three-movement song cycle on poems by Tristan Klingsor. We heard the song cycle, which Caroline Rae described in a Philharmonia Orchestra essay: [Read more…]

Cleveland Orchestra guest conductors lead memorable Concerts (Feb. 23 & 27)

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by Daniel Hathaway

Michael Tilson Thomas succeeded Herbert Blomstedt as music director of the San Francisco Symphony in 1995. In a nice coincidence, Blomstedt turned the tables last month, following Tilson Thomas on the Severance Hall podium during adjacent weeks in February. [Read more…]

McGegan conducts Cleveland Orchestra with trumpeter Michael Sachs (Nov. 21)

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by Daniel Hathaway

In what’s become a reliably annual visit to The Cleveland Orchestra, Nicholas McGegan brought his British-born charm and wit to the Severance Hall podium on Thursday, November 21 for an alluring program of music by Schubert and Haydn, separated by a brilliant performance of Hummel’s Trumpet Concerto by Michael Sachs. [Read more…]

Summers@Severance: Mozart’s C-Minor Mass with Matthew Halls (Aug. 2)

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by David Kulma

There is a certain je ne sais quoi about minor-key Mozart. The dark, brooding colors that rarely appear in his more plentiful major-key works give his wonderfully inevitable music a grand power and solemnity few other composers have ever matched. His Symphony No. 40 in g and Requiem in d are only the two most famous examples. Their major-key sections take on a new, heavenly meaning in contrast with the overall somberness. The Cleveland Orchestra’s Summers@Severance concert on Friday, August 2 was a great opportunity to hear another of Mozart’s minor-key marvels: the Great Mass in c, K. 427, with four excellent vocal soloists and the Blossom Festival Chorus, all conducted with flair by Matthew Halls. [Read more…]

Kent Blossom: a conversation with Barrick Stees and Frank Rosenwein

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by Rory O’Donoghue

“We don’t discuss much when we’re playing in orchestra,” Cleveland Orchestra principal oboe Frank Rosenwein said in an interview this week. “It’s funny, there’s opportunity to point something out if anything is amiss — you can say, ‘Oh, can we go over this or that’ — but essentially, it’s a silent collaboration. In chamber music, however, we have the luxury of getting together and discussing things, and teasing out people’s individual personalities and musical concepts.”

Rosenwein will showcase the fruits of that process this week as part of the Kent Blossom Music Festival Faculty Concert Series. He’ll join his fellow Cleveland Orchestra members, assistant principal bassoon Barrick Stees and principal clarinet Afendi Yusuf, for an evening of woodwind repertoire this Wednesday, July 24 at 7:30 pm in Kent State University’s Ludwig Recital Hall.

The evening will begin with Shapes for Bassoon and Piano, a new work by assistant principal oboe Jeffrey Rathbun. [Read more…]

Chagrin Arts: Barrick Stees fuses art and music (Apr. 26)

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by David Kulma

Cleveland Orchestra assistant principal bassoon Barrick Stees has had a longtime love of visual art that he finally turned into a musical event — “A Fusion of Art and Music with Barry Stees & Friends” at Chagrin Falls United Methodist Church on Friday, April 26. As part of the Chagrin Arts Performing Arts Series, Stees paired delightful chamber music with the fascinating art that inspired it, projected for all to see.

[Read more…]

Chagrin Arts: fusing art and music with bassoonist Barry Stees

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by Jarrett Hoffman

Inside every artist’s brain is a region where the words of their mentors float around like balloons, even years or decades later. During a recent phone call, bassoonist Barry Stees looked back on one such piece of advice from the late K. David Van Hoesen, his former teacher at the Eastman School of Music.

“He was always encouraging us to read literature, view art, and take in other forms of culture to fill in the context behind the music we were learning,” said Stees, who serves as assistant principal bassoon in The Cleveland Orchestra.

That stuck with him. And now, he’s developed a concert program themed around music and the visual art and artists that inspired it. He’ll bring that to life with pianist Randall Fusco, oboist Cynthia Watson Sperl, and the Callisto Quartet at Chagrin Falls United Methodist Church this Friday, April 26 at 7:30 pm as part of the Chagrin Arts series. Visual art will be displayed on the walls, and shown on projections.

[Read more…]

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