by Daniel Hathaway

CLEVELAND, Ohio — This season, the Mandel Festival of Opera and Humanities is featuring three concert performances of Ludwig van Beethoven’s only opera to illustrate the Festival’s theme of Courage. The opening concert at Severance Music Center on Saturday evening, May 16 also demonstrated the mastery of conductor Franz Welser-Möst and The Cleveland Orchestra and Chorus, whose Beethoven performances are second nature and flawless.
“Leonora,” based on the story of a woman who disguised herself as the prison guard Fidelio to rescue her husband Florestan from death in a Spanish political prison, premiered in Vienna in 1805 and was presented in a revised version in 1806. The composer fussed with the work for the next eight years, presenting the final version, now named “Fidelio,” in 1814.



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Perhaps Franz Schubert’s Symphony No. 8 is more complete than its “Unfinished” moniker implies. After all, the composer wrote and orchestrated two full movements, creating a kind of standalone half-symphony. But Severance Music Center audiences heard this work in a new way on January 13, when The Cleveland Orchestra and Franz Welser-Möst interlaced Schubert’s two memorable movements with an unexpected partner: Alban Berg’s Three Pieces from Lyric Suite.




Bass-baritone