by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

“Unbelievable. It’s like suddenly finding a dozen new drawings by Rubens!” said a researcher at the Alamire Foundation of the Catholic University of Leuven in Belgium, which owns what is now known as the Leuven Chansonnier. “We hope that we’ll be able to find out who created the songs. The 38 known works are very interesting as well, because they’re often different versions from the ones we already know.”
When Les Délices and its Chicago counterpart, The Newberry Consort, were casting about for a collaborative project, the Leuven Songbook came immediately to mind for both directors, Debra Nagy and Ellen Hargis. “I told Debra we’d love to do something with that,” Hargis said in a telephone conversation, “and she said, ‘So would we. It doesn’t make any sense to do two programs, so why not do it together?’” [Read more…]
by Nicholas Jones

The occasion was one event in celebration of the church’s magnificent new tracker organ, modeled on north German 17th-century organs. The organ was built by the Tennessee firm of Richards, Fowkes and Company and installed only this January. It replaces a small gallery organ in the back of the church. A stop-action video documenting the organ’s installation is online at YouTube.
The organ is still being adjusted, but from what I heard, it has a lively delicacy that suits both early solo music and the accompaniment of singers. Boston-based organist Frances Fitch played it to great effect. [Read more…]
by Daniel Hathaway

That program, which features choral and instrumental music from 17th century Italian and Mexican convents, was itself the result of a chance encounter. Hargis was already thinking of constructing an Italian program drawing on the vast collections of unpublished music in convent libraries — partly suggested by Craig Monson’s book, Nuns Behaving Badly: Tales of Music, Magic, Art, and Arson in the Convents of Italy. [Read more…]