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Old Friends, New Collaboration: Anthony McGill and Emanuel Ax bring recital tour to Oberlin

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by Stephanie Manning

Reposted with the permission of Oberlin Conservatory

Throughout his decades of playing chamber music, Emanuel Ax has kept his friends close. “ It’s wonderful to have people on stage that you like,” the pianist says. “I’m pretty gregarious as a person, so I like being with someone, especially old friends.”

Now in his 70s, the esteemed musician has performed with many of the same collaborators for decades, including cellist Yo-Yo Ma and violinists Issac Stern and Leonidas Kavakos. But his next recital tour brings him together with someone new: clarinetist Anthony McGill.

The duo’s upcoming performances feature a program of wide-ranging music, and their travels include a stop at Finney Chapel. That concert, on February 4 at 7:30 pm, will be presented as part of Oberlin’s Artist Recital Series. [Read more…]

Cooper International Violin Competition Moves from Summer to January

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By Mike Telin

Now that the new calendar year is upon us, it’s interesting to see which of the area’s classical music organizations are going to be leading the way into 2025.

When it comes to competitions, that honor goes to Oberlin’s Thomas and Evon Cooper International Competition, which alternates annually between piano and violin.

Usually held in August, due to construction at the Conservatory this year’s violin competition needed to find an alternative time period. “We wanted the competition to happen so we moved it to January as a one-time thing,” competition director and jury chair Sibbi Bernhardsson said during a telephone conversation.

[Read more…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

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by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read more…]

Oberlin to present Rhiannon Giddens’ and Michael Ables’ Pulitzer Prize-winning opera Omar

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by Mike Telin

“What makes that document so remarkable is that it is a window into a world that we don’t talk about and that we don’t teach about, and it’s just miraculous that it survived,” composer Rhiannon Giddens told Martha Teichner during a Spoleto Conversations interview. “We have so few of these documents and each one holds multitudes in it. We have so little and it’s a miracle that we have it at all.”

The document that Giddens is referring to is the 1831 autobiography of Omar ibn Said, the only known autobiography written by an enslaved person during their enslavement, and the only document written in Arabic by an enslaved person.

During that same interview, composer Michael Ables noted that the document was written at a time when it was illegal to teach enslaved people to read and write. “And why is that? Because they knew that knowledge is power, and Omar’s power to speak to us today is expressed through the fact that he was educated.”

[Read more…]

Oberlin plans a weekend of events celebrating 50th anniversary of Warner Concert Hall organ

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by Daniel Hathaway

Fifty years ago, in November 1974, the Oberlin Conservatory of Music inaugurated a monumental new organ in Warner Concert Hall. Built by Flentrop Orgelbouw in Zaandam, the Netherlands, the instrument returned to principles of Dutch and North German organ building during the golden age of the organ in the early and mid-18th century.

Oberin has planned a weekend of festivities that include a faculty recital by Jonathan Moyer and Christa Rakich on Friday at 7:30 (J.S. Bach’s German Organ Mass), a current student recital on Saturday at 11 am, and an alumni recital on Saturday at 4:30 pm. All events are free to attend and will also be live streamed. [Read more…]

Salar Nader and Homayoun Sakhi bring Afghan music to Oberlin

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by Mike Telin

“I can’t wait to be back — Cleveland is like a second home,” tabla virtuoso Salar Nader said during a telephone conversation. “I have so many fond memories of performing at the Cleveland Museum of Art and in The Kite Runner at Cleveland Playhouse back in 2010. And of course working so many times with Jamey Haddad at the Bop Stop, Nighttown, and Tri-C JazzFest. And I love Oberlin — to be there with Homayoun and working with the students is going to be a beautiful thing.”

On Sunday, October 6 at 7:30 pm in Finney Chapel, Salar Nader and rubâb player Homayoun Sakhi will present a program featuring music of their Afghan homeland, pushing artistic boundaries that reflect their country’s position at the confluence of Persian, Central Asian, and Indian cultures. The program also includes Oberlin Conservatory’s Performance and Improvisation (PI) Ensemble, directed by Jamey Haddad.

On Saturday, October 5 at 1:00 pm, Nader and Sakhi will present a public master class in Stull Recital Hall. Click here for more information. Both events are free.

Nader said that Haddad has been a longtime friend and mentor since meeting in the Pyrenees Mountains of Spain in 2007. “DJ Cheb i Sabbah brought us together, and it was like we were long-lost brothers by the time we played the show. Ever since then he has always been so welcoming. The thing that I learned from him and people like Stanley Clark, is that they all have a similar attitude when it comes to welcoming the different musics of the world.”

[Read more…]

ENCORE: “Director’s Carte Blanche” at Oberlin (June 14)

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by Max Newman

This year’s ENCORE Music & Ideas Festival, themed around “Planet Earth,” graced the Cleveland area with some brilliant performances over the course of this month. One of those came on the evening of June 14, when Oberlin Conservatory played host to the series. 

Violinist and founder Jinjoo Cho, violinist Mathieu Herzog, and pianist Hyunsoo Kim starred in a terrific performance at Warner Concert Hall. The event also featured a conversation with Chris Stanton, the Senior Naturalist at Lorain County Metro Parks, which perfectly served ENCORE’s season theme as an ode to the natural world.

[Read more…]

The Many Moods of Melodrama:
Sentiment, Satire, Horror, and Noir in silent film

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by Mike Telin

When we think of modern-era film composers, the names Hans Zimmer, John Williams, Danny Elfman, and Howard Shore immediately come to mind. But who was responsible for creating the music that accompanied films during the silent era?

During the past three and a half months, a group of Oberlin students have been diligently learning how to create film scores from a historical perspective.

Emily Laurance, a visiting associate professor of musicology at Oberlin Conservatory and executive director of the Cleveland Silent Film Festival and Colloquium, said during a telephone conversation that one of the objectives of her class — Music and Melodrama on Stage and Screen — was for the students “to get a feeling of music in melodrama, and to get a sense of the history of the silent film genre by learning how to compile a musical score.”

The class will culminate in a performance on Friday, May 10 at 7:00 pm at the Cleveland Museum of Art’s Transformer Station. [Read more…]

Peter Takács—A Half Century Celebrated

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by Stephanie Manning
This article was originally published on the Oberlin Conservatory website.

Peter Takács may be retiring from Oberlin, but that doesn’t mean he’ll stop coming to campus anytime soon.

“They can’t get rid of me quite so easily,” the piano professor says, with a knowing smile. After all, he and his wife live in town, and there are still performances and recording sessions to look forward to.

Still, this spring marks the official conclusion of Takács’ tenure, after an incredible 48 years of teaching. Many of his former students from around the world are set to convene— either live or via video—for a celebratory concert in Warner Concert Hall on May 12. A reception and Piano Play-a-thon will round out the festivities that day.

Born in Bucharest, Romania, Takács studied piano in France and the United States before accepting his teaching job at Oberlin in 1976. Described by The New York Times as “a marvelous pianist,” he has performed and given master classes around the world.

[Read more…]

Oberlin Presents Grammy-Winning Imani Winds in Concert

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by Stephanie Manning

Reposted courtesy of Oberlin College and Conservatory

When flutist Brandon Patrick George ’08 attended Imani Winds’ Artist Recital Series performance back in 2007, he never imagined that he would one day sit in the flute chair. “Being able to perform with my colleagues is such an honor,” he says about returning to Oberlin with the pioneering wind quintet on March 7. The ensemble last appeared in Warner Concert Hall in 2021 when they gave a short performance and enjoyed a wonderful dialogue with students during a generous Q&A.

The ensemble—who recently won their first Grammy for their album Passion for Bach and Coltrane—will present a contemporary program that George says is connected to two key parts of Imani Winds’ mission: “to highlight the shared humanity between all individuals from all walks of life, and to advocate for change.”

[Read more…]

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