by Daniel Hathaway
Asked to list some Czech composers, most of us could immediately come up with Dvořák, Smetana, Martinů, Janáček, and maybe Suk. Miloslav Kabeláč’s name would probably not come tripping off the tongue, unless you’re a performer who has played his Wind Sextet. So Cleveland Orchestra audiences learned something from Czech conductor Jakub Hrůša the weekend of November 15-18, when he brought Kabeláč’s Mystery of Time to his guest appearances at Severance Hall. [Read more…]
by Mike Telin
When Czech conductor Jakub Hrůša makes his annual visit to Cleveland, audiences have come to expect that the concert will include a gem that is rarely, if ever, performed at Severance Hall. His past programs have included Martinů’s Parables, Dvořák’s The Golden Spinning Wheel, Janáček’s Jealousy, and Suk’s Asrael Symphony.
On Thursday, November 15 at 7:30 pm, Hrůša will keep that tradition alive when he leads The Cleveland Orchestra in Miloslav Kabeláč’s Mystery of Time. “I think he is the most important symphonist of 20th-century Czech music after Martinů,” the conductor said during a telephone interview. The concert will also include Stravinsky’s Capriccio (for piano and orchestra) featuring Emanuel Ax, and Shostakovich’s Symphony No. 5. The program will be repeated on Saturday, November 17 at 8:00 pm, and Sunday November 18 at 3:00 pm. Tickets are available online.
Hrůša noted that the lineage of Czech symphonic composers begins with Dvořák, whom he called the “founder” of that repertoire. “Then you have Smetana, who was not interested in the symphony but wrote symphonic poems. After that is [Zdeněk] Fibich, then Janáček — who never wrote a symphony, then Martinů with his six symphonies. There is always the question of who is next.”
by Daniel Hathaway
Just back from its triumphant European tour, The Cleveland Orchestra joined two old friends — guest conductor Vladimir Ashkenazy and pianist Emanuel Ax — for resplendent performances of Elgar and Beethoven at Severance Hall on Sunday afternoon, November 5. [Read more…]
by Mike Telin
“It’s an incredible thrill to be able to play with Vladimir Ashkenazy. When I was a young student, he was one of the two or three greatest pianists in the world. I went to hear him all the time and was awed by everything that he did,” pianist Emanuel Ax said during a recent telephone conversation. “I continue to be awed, but he is such a nice man that you feel like you can talk to him normally, and that is very nice. He has always been one of my idols, so it is going to be very special to be onstage with him. He also has a long relationship with the Orchestra, which makes this very exciting.”
On Friday, November 3 at 8:00 pm at Severance Hall, Emanuel Ax will perform Beethoven’s Piano Concerto No. 1 with The Cleveland Orchestra under the direction of Vladimir Ashkenazy. The program, which also includes Elgar’s Serenade and the Enigma Variations, will be repeated on Saturday the 4th at 8:00 pm and Sunday the 5th at 3:00 pm. Tickets are available online. [Read more…]
by Mike Telin
As The Cleveland Orchestra gears up to launch its fall Severance Hall season, we caught up with Ross Binnie, the Orchestra’s Chief Marketing Officer, and asked him to give his insights into the array of programs. He described them as “a blend of the curious and the familiar which will be wonderful for the audiences.”
The season kicks off on September 29 and 30 when Franz Welser-Möst leads performances of Ives’s Symphony No. 3 (“The Camp Meeting”) and Sibelius’s Symphony No. 2. And organist Paul Jacobs (below) will make his Cleveland Orchestra debut as soloist in Copland’s Symphony for Organ and Orchestra. [Read more…]
