Philip Formes Archives - Cleveland Classical

Opera Circle: Cavalleria rusticana at First Baptist Church (November 21)

November 25, 2014 by Daniel Hathaway

by Daniel Hathaway

In just over an hour, betrayal and jealousy in a Sicilian village spill over into tragedy in Pietro Mascagni’s one-act classic opera, Cavalleria rusticana — all the while accompanied by some gorgeous music. Opera Circle staged two performances of “Cav” last weekend at First Baptist Church in Shaker Heights. I saw the opening performance on Friday evening, November 21. [Read more…]

Opera Circle to stage Mascagni’s Cavalleria rusticana at First Baptist

November 18, 2014 by Daniel Hathaway

by Daniel Hathaway

One of the most popular of all opera titles came about through a contest. 27-year-old Pietro Mascagni barely made the deadline for a new opera competition set up by Milanese publisher Edoardo Sonzogno in 1888, but won out over 72 other aspiring young Italian composers who fulfilled the entrance criterion of never before having had an opera staged. His winning entry, the one-act opera Cavalleria rusticana, received its premiere in Rome in 1890.

Although Mascagni lived until 1945 and penned fourteen other stage works, none ever received the attention that “Cav” attracted. Cleveland’s Opera Circle, having previously produced Mascagni’s second opera, L’Amico Fritz, will mount two staged performances of Cavalleria rusticana on Friday evening, November 21 and Sunday afternoon, November 23, at First Baptist Church in Shaker Heights. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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