by David Kulma

by David Kulma
by David Kulma

by Daniel Hathaway

“It was popular at its debut in the mid-19th century, but Poland was under partition between Russia, Prussia, and Austria, so there’s a patriotic undercurrent,” soprano, executive artistic director — and native Pole — Dorota Sobieska said in a telephone conversation. “It’s a Polish opera. We sing and I cry. It’s sentimental. It’s where my heart is.”
“The music is wonderful,” conductor Grzegorz Nowak said in a separate phone call. “It was all composed by Moniuszko, but it has a folk quality to it. The Mazur [Mazurka] has even been texted so it can be sung by a choir.”
Nowak, also Polish, is principal associate conductor of London’s Royal Philharmonic Orchestra, as well as music director of The Grand National Opera (Teatr Wielki) in Warsaw. He studied at Tanglewood, earned his doctorate at Eastman, then served on the faculty of Bowling Green State University. He’s quite familiar with Moniuszko’s piece, having first conducted it in Warsaw in what he describes as “quite a scandalous production.” [Read more…]
by Neil McCalmont

“Opera in the Italian Garden” will be presented by Opera Circle Cleveland and the Cleveland Ballet, carrying on the tradition that originally began in the 1930s, and was revived in 2008. “We thought that nobody was going to show up,” said Joyce Mariani, Executive Director of the Italian Cultural Garden Foundation, over a recent telephone call. “But over 200 people came. The next year it more than doubled to 500, and last year we had an audience of 2,000. The audience makes the event what it is. We just present it.” [Read more…]
by Daniel Hathaway
