Shafran Planetarium Archives - Cleveland Classical

CIM + CMA — Sight + Sound: The Planetarium Project

April 24, 2018 by David Kulma

by David Kulma

The wonderful Nathan and Fannye Shafran Planetarium at the Cleveland Museum of Natural History is an unexpected venue for a music critic. But after the Planetarium upgraded to a digital projection system in 2010, its manager Jason Davis started 360° of Sight + Sound: The Planetarium Project in collaboration with the Cleveland Institutes of Art and Music (CIA and CIM) to develop student-animated short films. The fascinating fourth iteration — titled “Through the Ages” — graced the inside of the dome on Wednesday, April 18. [Read more…]

CIM, CIA, and Natural History Museum to team up for 360° of Sight + Sound: The Planetarium Project

April 10, 2018 by Jarrett Hoffman

by Jarrett Hoffman

It’s an epic feeling when three superheroes, from separate stories and with their own distinct powers, team up. The real-life, artsy, and Cleveland-related parallel to that? A collaboration next week among three prominent local institutions from three different disciplines.

Next Wednesday, April 18 at 7:00 pm and 7:45 pm, the Cleveland Institutes of Music and Art will join the Museum of Natural History for the fourth edition of 360° of Sight + Sound: The Planetarium Project. Five-minute films by students of CIA, scored with electronic music by student composers of CIM, will be given their world premiere screenings inside the dome of Shafran Planetarium at the Museum.

[Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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