by Stephanie Manning

While other festive concerts may create the atmosphere of a bustling party by the fireplace, “Noel, Noel” is like observing a snowy evening from the warmth of the indoors. This is music best enjoyed in quiet contentment, and especially live — so it’s no surprise that the early music ensemble brought back this signature program for three performances this month.
On December 7 at West Shore Unitarian Universalist Church, the six-member group presented a lovely ninety-minute program, which is also available on CD and via streaming until the end of the year. [Read more…]




In the 1670s, Louis XIV commissioned a series of 39 fountains for the Gardens of Versailles, each modeled on a story from Aesop’s Fables and intended for the education of the king’s young son, the Dauphin.
Navigating dementia — a common, yet devastating part of aging — requires confronting all sorts of complex emotions. People with memory loss, their caregivers, and the medical teams who interact with them all understand this well. So when Les Délices commissioned a piece tackling this difficult topic, they made a special effort to bring the music to those who would resonate with it the most.
“How wretched to forget,” sings the son in A Moment’s Oblivion — a character whose father now struggles to recognize members of his own family. “For all we were forms who we are.”
Rarely is there a program title as accurate as Les Délices’ “Winds of Change.” The program embraced the new and different in a variety of ways — referencing both specific events, like the French and Haitian revolutions, and broader ideas, like advocacy for composers of color. Originally presented as an online offering last season, on October 23 the concert proved it was certainly worth hearing live.
Ailurophiles rejoice! There’s a new opera in town, created as many French Baroque titles were back in the day, out of bits and pieces of existing material, and the principal character is a large feline. (It’s actually a princess seeking to be rehumanized through the traditional heroic means of fulfilling a series of impossible challenges or quests.)
For centuries the fairy tale of Puss in Boots, the wily cat who stops at nothing to gain power and wealth for his penniless master, has been a source of inspiration for composers and choreographers.
Parallel revolutions in France and Haiti have inspired the second episode of this season’s online concert series from Les Délices. “Winds of Change,” which went live on November 18 and is available both on subscription and as a single performance, includes late 18th-century music by Joseph Bologne (Chevalier de Saint-Georges), Karl Bochsa, and Luigi Boccherini, and the premiere of a commissioned piece, Haitian-born composer Sydney Guillaume’s A Journey to Freedom.
No mythological character has inspired musicians more than Orpheus. Legend has it that his music was so powerful that trees and mountains bowed in his presence — his song so beautiful that he convinced the ruler of the underworld to allow him to bring his love Eurydice back from the underworld.