by Daniel Hathaway

by Daniel Hathaway

by Mike Telin

“My teacher sent some of those melodies to a local radio station,” she says, “and they ended up being performed on the radio by a children’s choir. It is a vivid recollection — I was eight at the time and away at summer camp; there we all were, the kids and myself, all sitting around a large radio listening to my music coming out of it. That was a revelation for me, because it was the first time that I had the sense my music could live outside of me. What I had made up now had its own, separate existence. It gave me such pleasure and it was a very special feeling, and I knew that I wanted to keep doing this. Although all kinds of other things have always interested me, I’ve never wanted to do anything else but compose ever since.”
Next week, the Cleveland Institute of Music will play host to the celebrated composer during a three-day residency. [Read more…]
by Mike Telin

“Shulamit is fantastic in every way,” Keith Fitch, who heads the Composition Department and holds the Vincent K. and Edith H. Smith Chair in Composition at the Cleveland Institute of Music, said during a recent telephone conversation. “She’s had such a long and distinguished career as a composer, teacher, and advocate for new music. She’s so good with students, and she’s a great mentor and role model.” Ran recently retired from academia, having taught at the University of Chicago since 1973.
“I’ve always admired Shulamit’s music so much. Not only is it beautifully crafted, it’s also emotionally powerful, and so engaging. There’s this fearless quality to her music that I really love.” [Read more…]