Timothy Robson Archives - Cleveland Classical

“Karel Paukert Up Close and Personal” at St. Paul’s, Cleveland Heights (Jan. 30)

February 14, 2017 by Daniel Hathaway

by Daniel Hathaway

Remember the reality documentary series This Is Your Life? On Sunday afternoon, January 30, the Cleveland Chapter of the American Guild of Organists honored Karel Paukert with a retrospective of his distinguished career, together with a recital that included the world premiere of a new work by Frank Wiley. [Read more…]

AGO to honor Karel Paukert with
“Up Close and Personal” at St. Paul’s

January 24, 2017 by Daniel Hathaway

by Daniel Hathaway

Karel Paukert has made his mark on Cleveland’s classical music life as Curator of Musical Arts at the Cleveland Museum of Art, a post he held from 1974-2004, and as organist and choirmaster of St. Paul’s Episcopal Church in Cleveland Heights, a position he inherited in 1979 and in which he continues to serve nearly 40 years later. (Photo: Paukert with Olivier Messiaen at CMA in 1978.)

Paukert will be honored by the Cleveland Chapter of the American Guild of Organists at St. Paul’s on Sunday, January 29 at 4:00 pm. “Karel Paukert Up Close and Personal” will include an interview and Q&A period led by Timothy Robson, and the world premiere of Labyrinths by Kent State University composition professor Frank Wiley. A reception will follow the event. [Read more…]

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

[Read on…]

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

BlueWater Chamber Orchestra with violinist David McCarroll in Rocky River (Nov. 23)

by Daniel Hathaway

Let’s cut to the chase and simply say that it would be difficult to imagine a more perfect and moving performance of Beethoven’s Violin Concerto than the one David McCarroll gave with Daniel Meyer and BlueWater Chamber Orchestra on Sunday afternoon, November 23 at Rocky River Presbyterian Church. We’ll come back to that thought.

The straight-through performance preceded the Beethoven with works by Cleveland composer Margaret Brouwer and a youngish Aaron Copland.

Brouwer’s engaging and popular The Art of Sailing at Dawn evokes memories of growing up on the Great Lakes. A flute conjures sonic images of gulls, and subtle waves support a lovely oboe solo before the wind kicks up and dark clouds assemble. A storm erupts, but soon passes, leading to a quiet ending. [Read on…]

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