by Kevin McLaughlin

CLEVELAND, Ohio — Yo-Yo Ma was the picture of cello perfection on Thursday evening, Nov. 6 at Severance Music Center, performing with The Cleveland Orchestra as if for the thousandth time — or the first.
Relaxed, head tilted in his familiar way, he seemed tuned to some private channel of truth and beauty. When not playing, he listened with delight, urging on the musicians around him.
Ma offered Dvořák’s Cello Concerto at the end of “An Evening with Yo-Yo-Ma,” beautifully wrapped like an early holiday gift. He strode onstage with purpose, revealing a heart as large as the hall, making his entrance not as a soloist demanding attention, but as a voice rising from within. He answered the horn heroics with warmth, then crooned the second theme like a benediction.





“This is a great piece of music that just happens to be an English horn concerto,” Robert Walters said during an interview. “I’m excited about playing it because I think the audience will like it as much as I do.”





There was not an open seat to be had at Praxis Fiber Workshop on Saturday, October 25 when the adventurous new music ensemble No Exit began their 17th season with a program of four thoroughly engaging works.