by Kelly Ferjutz
special to ClevelandClassical.com

by Kelly Ferjutz
special to ClevelandClassical.com


by Kelly Ferjutz
Special to ClevelandClassical.com
For Wooster’s Ohio Light Opera, it isn’t enough simply to choose seven great examples of lyric theater to comprise a season. No, it takes months, sometimes years to pull together all the pieces of the puzzle in order to put the very best production of each show on the stage of Freedlander Theater.
Cole Porter’s 1948 masterpiece Kiss Me, Kate will open OLO’s 38th season on Saturday, June 18 at 7:30 pm. As a play within a play, it looks back to Shakespeare, of course, and to The Taming of the Shrew. But it also looks forward to more modern days, with its consideration of women’s lib — recognizing Lilli as an equal participant in the story. First seen in the 1940s, it was Porter’s love letter to the theater, not only to the actors, dancers, and musicians, but also to the audiences who came to see it. [Read more…]
by Daniel Hathaway

by Daniel Hathaway

by Daniel Hautzinger
courtesy of Oberlin News Center

One aspect of that policy was a cultural-exchange program that sent North American composers to Latin America and vice versa. “It had fantastic musical consequences,” says Director of Oberlin Orchestras Raphael Jiménez, citing Latin-inspired works created by Aaron Copland and friendships that blossomed between U.S. composers and their Latin counterparts such as Alberto Ginastera and Heitor Villa-Lobos.
Jiménez and the Oberlin Orchestra will celebrate that spirit of musical solidarity on Saturday, September 27, with an 8 p.m. concert in Finney Chapel showcasing composers of the Americas.
Prior to the performance, Carol Hess, a music professor at the University of California, Davis, will present a talk about the Good Neighbor policy and the state of Latin American classical music in the U.S. Part of Oberlin’s Richard Murphy Musicology Colloquium series, Hess’ talk will take place at 4 p.m. in Stull Recital Hall. >>read on
by Daniel Hathaway

Ryan, who is currently assistant music director at Christ Episcopal Church in Greenwich, Connecticut, began his professional studies with Todd Wilson at the Cleveland Institute of Music before moving on to graduate studies at Eastman.
by Mike Telin

by Mike Telin

by Robert Rollin
