by Jarrett Hoffman
As per tradition, the Cleveland Classical Guitar Society will kick off its 2021-22 series with the free Showcase Concert highlighting musicians from around the region. This year’s event, which you can attend in person at the Maltz Performing Arts Center on Saturday, September 18 at 7:30 pm, or via livestream, might aptly be described as a Cincinnati sandwich on Cleveland bread.
There will be three sets, with Cleveland-based musicians on either end. Guitar Society educator Andy Poxon will open the concert with Mauro Giuliani’s Grande Ouverture before moving to his own arrangement of Handel’s D-Major Violin Sonata, where he’ll be joined by violinist Jeanelle Brierley.
Occupying the middle portion of the program is guitarist and composer Jeremy Collins, representing his hometown and homebase of Cincinnati, though he also studied at the Cleveland Institute of Music as an undergraduate (Cleveland-bred in addition to the Cleveland bread). He’ll perform two of his own pieces, The Starry Night and Reverie, followed by José Luis Merlin’s Suite del Recuerdo.
At the finish, bringing an impressive variety of flavors to the table is the guitar-and-flute Gruca White Ensemble. They’ll open with three miniatures by Stephen Goss (part of his From Honey to Ashes) influenced by music from around the world. They’ll continue with Masamitsu Takahashi’s Homage to the Harvest Moon, in which they’ll imitate the Japanese traditional instruments shinobue and koto. And they’ll finish with two movements from Marshall Griffith’s Jazz Impressions of Cleveland.





On the second concert of the Cleveland International Classical Guitar Festival, lutenist Nigel North and guitarist Robert Gruca proved to be a pleasantly balanced combination. The two recorded performances, which premiered on YouTube the evening of May 21, were presented back-to-back in a single video. At just over an hour long, the wide-ranging program showcased the distinct styles of the British and American pair of musicians with repertoire that spanned from the 17th century to the present day.
From the time he moved to Northeast Ohio to attend the Cleveland Institute of Music,
It’s one thing to create a varied setlist exploring one different genre after another, and quite another to pull it off as convincingly as the Gruca White Ensemble does on their latest CD, 
The Gruca White Ensemble must have a special connection to the number 100. Their formation as a flute and guitar duo dates back to 2013, when they played an hour-long concert on WCLV as a part of The Music Settlement’s Centennial Celebration. Then, at the duo’s concert on Saturday night, April 18, Bop Stop manager Gabe Pollack told the audience that we were attending the 100th performance hosted by The Music Settlement at the facility. Linda White and Robert Gruca became Artists in Residence at The Music Settlement in 2014, and their concert this weekend showcased their appealing collaboration.
“This week’s concert is going to be really great,” classical guitarist Jason Vieaux exclaimed during a recent telephone conversation. On Saturday, September 27, beginning at 7:30 pm in Plymouth Church in Shaker Heights, the Cleveland Classical Guitar Society will begin its International Series. And in keeping with tradition, the series will kick off with a free