by Kelly Ferjutz
Special to ClevelandClassical.com

by Kelly Ferjutz
Special to ClevelandClassical.com

by Kelly Ferjutz
Special to ClevelandClassical.com

by Kelly Ferjutz
Special to ClevelandClassical.com

by Kelly Ferjutz
Special to ClevelandClassical.com

by Kelly Ferjutz
Special to ClevelandClassical.com

For the vocal part of that process, Daigle primarily relies on associate artistic director Julie Wright Costa, who, in her other life is head of the voice area at the University of Utah School of Music. After winnowing through the myriad applications and videotapes, Julie travels the country holding auditions. This year she visited seven different regions in her ever-elusive search for that perfect candidate. [Read more…]
by Kelly Ferjutz
special to ClevelandClassical.com

by Kelly Ferjutz
special to ClevelandClassical.com

by Kelly Ferjutz
Special to ClevelandClassical.com
For Wooster’s Ohio Light Opera, it isn’t enough simply to choose seven great examples of lyric theater to comprise a season. No, it takes months, sometimes years to pull together all the pieces of the puzzle in order to put the very best production of each show on the stage of Freedlander Theater.
Cole Porter’s 1948 masterpiece Kiss Me, Kate will open OLO’s 38th season on Saturday, June 18 at 7:30 pm. As a play within a play, it looks back to Shakespeare, of course, and to The Taming of the Shrew. But it also looks forward to more modern days, with its consideration of women’s lib — recognizing Lilli as an equal participant in the story. First seen in the 1940s, it was Porter’s love letter to the theater, not only to the actors, dancers, and musicians, but also to the audiences who came to see it. [Read more…]
by Kelly Ferjutz, special to ClevelandClassical

by Kelly Ferjutz, special to clevelandclassical
