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CMA launches Third Thursdays: a conversation with Gabe Pollack

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by Max Newman

If you are looking for musical experiences in Cleveland that are both thoroughly enjoyable and wholly unique, look no further than the programming put on by the Cleveland Museum of Art. Whether it be the eclectic concerts that grace Gartner Auditorium, the danceable, outdoor fun of City Stages, or any of CMA’s other wonderful offerings, there is truly something for everyone within the Museum’s programming.

Now, CMA is kickstarting another event series — Third Thursdays at Transformer Station — which will have its first show on June 20 at 7:00 pm. (Note that the concert is now sold out.) Admission is free, but tickets are required.

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Petra Poláčková dazzles at CICGF with a journey into Czech Music (June 9)

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by Max Newman

You will not hear many classical guitarists with a better feel for emotion, atmosphere, pace, and tone than Petra Poláčková. The talented Czech musician showcased all of these talents and more for the audience at the Cleveland Institute of Music’s Mixon Hall on Sunday afternoon June 9.

The performance, the penultimate event of the Cleveland International Classical Guitar Festival, spanned four exhilarating Czech works. On this particular afternoon, golden sunbeams streaked in through Mixon’s floor-to-ceiling windows, drenching the stage with a light that underscored the otherworldly quality of Poláčková’s playing. One would be hard-pressed to find a more musically exhilarating way of closing out this magnificent series. [Read more…]

ENCORE: A conversation with Jasmine Choi about George Crumb’s Voice of the Whale

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by Max Newman

“It’s natural, organic, and enjoyable, but shocking as well. It’s shocking that this modern nature sound could be depicted like this through music.”

That’s how Korean flutist Jasmine Choi described George Crumb’s avant-garde 1971 composition Vox Balaenae, or Voice of the Whale, during a recent conversation. That work for electric flute and cello and amplified piano will be performed on Saturday, June 15 at 7:30 pm at the Cleveland Museum of Natural History as part of ENCORE Chamber Music. This year the festival is themed around “Planet Earth” with the aim to “highlight the universal connection that we humans have with nature,” according to founder and artistic director Jinjoo Cho. Tickets are available online.

Jinjoo Cho and Jasmine Choi’s connection is a long-standing one, the two having known each other since attending the same middle school in Seoul. It is in part this relationship that is bringing Choi to Cleveland for this performance. “She reached out to me last year to ask me about this project, and I’ll always say yes to Jinjoo. I’ve always wanted to perform with her.”

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She Scores: a night of musical excellence and importance (May 31)

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by Max Newman

Even in the Cleveland music scene’s creatively positive atmosphere, female and non-binary composers are often underrepresented on the concert stage, and the Local 4 Music Fund’s She Scores series is looking to change this.

The series, which aims to remind us of “the urgent need to redouble our efforts toward closing the chasm of opportunity and representation that separates women from men,” was held between May 30 and June 2 at the Cleveland Institute of Music’s Mixon Hall, showcasing an impressive catalog of works that spanned a wide variety of styles and moods. I was lucky enough to attend the May 31 performance.

The striking setting went a long way in terms of adding to the experience. Curved rows of seats gently descended down to a well-lit stage, just in front of the space’s crown jewel: a floor-to-ceiling window that looked out upon the beautiful architecture and vegetation of the CIM campus. As the evening sky darkened over the course of the concert’s two hours, the program order seemed to match it in mood, with bright, energetic, and percussive pieces towards the beginning, and more contemplative and somber works towards the conclusion.

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Alex Cuba shines at Cleveland Museum of Art’s
Transformer Station (May 1)

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by Max Newman

Cuban-Canadian singer-songwriter Alex Cuba has been described in many ways over the course of his career, from his “sugarcane-sweet melodies” and “pop-soul hooks” to “powerful guitar riffs that relinquish a conventional stereotype that exemplifies much of the Latin music landscape.” When he performed on the Tiny Desk concert series, NPR noted his “undeniable charm as he weaves evocative imagery into musical arrangements that not only call to mind his native Cuba but anywhere [that] an acoustic guitar and engaging voice command attention.”

All of these strengths, and more, were on display when Cuba took the stage at Transformer Station on May 1 as part of the Cleveland Museum of Art’s Performing Arts series.

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“Game On!” — a night of game-show fun with the Singers’ Club 

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by Max Newman

“I am fairly certain that in the 131 years of the Singers’ Club, this will be our first event with an interactive audience element.”

What Don Verkuijlen is referring to is the “Game On!” program that the Singers’ Club of Cleveland will present on Friday, April 26 at 7:00 pm at First Baptist Church of Greater Cleveland. Tickets are available here.

The brainchild of Verkuijlen, the program is “essentially going to be played like a game of Jeopardy,” he said during a telephone conversation. “When you walk in, there will be a big screen showing various categories. The audience will raise their hands and call out a category, and instead of video clues, the choir will actually be singing a piece of music for each category.”

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Music at Main:
singer-songwriter Marye Lobb (Apr. 6)

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by Max Newman

One of the most marvelous things about live music in Cleveland is the wonderful and unexpected places that it takes you. Places where one would not expect to witness joy-inducing song, places that make you feel as though music, in this city, is truly everywhere. 

One such location is the third floor of the Cleveland Public Library, on an expansive landing between two gloriously intricate staircases. It was here where I watched singer-songwriter Marye Lobb perform a series of heartfelt and powerful songs on the afternoon of Saturday, April 6. 

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Artemis captivates at Finney Chapel (Mar. 13)

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by Max Newman

For students at Oberlin College, jazz is something that is always present. It floats through quads, down streets, over buildings, from speakers, and live from students in the Conservatory’s jazz department. That makes Oberlin a perfect destination for groups of jazz visionaries when it comes to performing, really strutting their stuff. And for the unbelievably talented collective Artemis, who performed at Finney Chapel on March 13, strutting their stuff is exactly what they did in a mesmerizing performance that will last long in the minds of all who were there.

Highly notable was the chemistry among the five musicians, who gave the impression of being a single living entity experiencing complex emotions as it moved through the world. When one musician moved forwards for a solo, it didn’t feel like a separate act, but rather an extension of this collective expression. It was impossible to look away.

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No Exit’s surrealist journey continues: “Piano Dada with Shuai Wang”

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by Max Newman

“One of the things about surrealism: it’s not a style, it’s a set of ideas. You have ideas and concepts that have never gone out of style,” No Exit artistic director Tim Beyer said during a recent telephone conversation.

This week the ensemble continues their season-long, multifaceted exploration and celebration of surrealism. “Piano Dada with Shuai Wang” features music originally presented at the Festival Dada in 1920 and Soirée du Coeur à Barbe in 1923, including Marcel Duchamp’s Erratum Musical, Francis Picabia’s La Nourrice Americaine (fast and slow versions), and Elt Mesens’ Drie Composities Voor Klavier as well as an ensemble rendition of Erratum Musical and a new piece by Luke Rinderknecht. [Read more…]

Alla Boara: creating soundscapes from history at CMA (Jan. 24)

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by Max Newman

If there’s one thing that the Ohio-based group Alla Boara can do, it is allowing their listeners to explore the past by relishing in the present. And for those who packed into the Cleveland Museum of Art’s Gartner Auditorium on Wednesday, January 24 for the ensemble’s performance celebrating the release of their new record, that is exactly what they got.

It was an evening of storytelling through word and song.

Bandleader Anthony Taddeo, the group’s composer and drummer, based his arrangements off of a series of Alan Lomax’s 1954 field recordings of Italian folk music. Throughout the night, Taddeo and other band members laid out historical context to the pieces on show with a backdrop of original images from Lomax’s Italian journey. It gave the audience a clear snapshot of Italy in the mid-1950s, and created an authentic atmosphere for each song played. [Read more…]

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