by Mike Telin
Every musician understands the important role that mentors play in their development as an artist.
When Cleveland-based jazz vocalist Céline Iris arrived at Oberlin, she said there was “an immediate connection” between her and the legendary trumpet player and faculty member Eddie Henderson. And while the Seattle native graduated last May with degrees in biology and jazz voice, Iris and her mentor have continued to stay in touch.
“A couple of months ago I said, ‘Eddie, I’d really just love to make some music with you. I don’t care where it is — it could even be in your office.’ And he said, ‘Why don’t we just do a gig?’” Iris recalled during a telephone conversation. “That was amazing, and I thought, absolutely, I will make this happen.”
On Tuesday, March 22 at 8:00 pm at the Bop Stop, Eddie Henderson and Céline Iris will be joined by Billy Hart (drums), Roger Friedman (piano), and Eli Naragon (bass) for an evening of fresh takes on classic jazz standards, as well as repertoire that gives a nod to Henderson’s impressive career. The performance will also be livestreamed on the venue’s Facebook page. Click here for tickets and more information. [Read more…]
When looking at the biographies of members of the next ensemble to perform on the Cleveland Chamber Music Society series, you ask yourself: how do they possibly have the time to take on anything more?
In 1936 British composer William Walton was faced with a decision: should he write a piece for violinist Joseph Szigeti and clarinetist Benny Goodman, or a concerto for Jascha Heifetz? On December 7, 1939 the famed violinist gave the premiere of Walton’s 
When composer/pianist 
“I’ve been on kind of a crusade to get the Schumann Concerto programmed as much as possible,” pianist 
Over the years, audiences have had the privilege of hearing many outstanding performances by winners of the Cleveland Orchestra Youth Orchestra’s annual concerto competition. But on Sunday, February 20, the sizable crowd at Severance Music Center witnessed nothing short of musical magic during Dasara Beta’s brilliant performance of Alexander Arutiunian’s Trumpet Concerto.
In today’s issue:
Although they wouldn’t meet for some time, Thomas Flippin and Christopher Mallett long shared a musical trajectory.
Creativity is more than just being different. Anybody can play weird; that’s easy. What’s hard is to be as simple as Bach. Making the simple, awesomely simple, that’s creativity.— Charles Mingus
When the Oberlin Conservatory’s Richard Hawkins was asked to curate a concert for the Rocky River Chamber Music Society, he knew right away that it was an opportunity to program works that would include his Oberlin Conservatory faculty friends. “It’s always nice to present chamber music for winds and strings that people might not know,” the clarinetist said during a telephone conversation.