by Stephanie Manning

“ It’s a concerto that we all have to learn and teach,” Sibbi Bernhardsson said in a recent interview. “But this will actually be my first time performing it with an orchestra, so I’m really, really excited.”
The violinist will join the CityMusic Cleveland Chamber Orchestra for a series of free performances beginning on December 12 at venues around the city. Conductor John McLaughlin Williams will lead the group in a program that also includes Beethoven’s Symphony No. 7 and Leó Weiner’s Serenade for Small Orchestra. More information on locations and times is available here.
Bernhardsson, who serves on the faculty of the Oberlin Conservatory, has performed with CityMusic twice before, once as a member of the Pacifica Quartet and once as part of the group’s chamber music series. But he’s known about the ensemble for more than 20 years. [Read more…]




HAPPENING TODAY:
HAPPENING TODAY:
This article was originally published on
HAPPENING TODAY:
LOOKING AHEAD:
This article was originally published on
The kora, a West African stringed instrument akin to a harp or guitar, doesn’t appear in most orchestral works. So Seckou Keita wrote his own.
A black box theater might not be the first-choice location for an opera — but with a clever creative team, a smaller production can still get big results. Audiences at the Westfield Studio Theater on November 17 know this firsthand thanks to the Cleveland Institute of Music Opera Theater’s scaled-down L’Étoile, which came wrapped in a bundle of laughs and topped with a ribbon of genuine heart.
LOOKING AHEAD: