by Stephanie Manning
Given the venues that Daniel Emmet is used to performing in, Severance Music Center must have felt like quite the culture shock. The classical crossover vocalist, a 2018 finalist on America’s Got Talent, has entertained crowds at places like Caesars Palace, Staples Center, and Angels Stadium. But that didn’t mean that Emmet was any less excited for his appearance on November 5 — quite the contrary.
“Hello, Cleveland!” he announced with a wide grin. “I’ve been waiting many years to say that.” Together with the Cleveland Pops Orchestra, the operatically-trained tenor delivered a memorable, genre-crossing evening of music.
Rarely is there a program title as accurate as Les Délices’ “Winds of Change.” The program embraced the new and different in a variety of ways — referencing both specific events, like the French and Haitian revolutions, and broader ideas, like advocacy for composers of color. Originally presented as an online offering last season, on October 23 the concert proved it was certainly worth hearing live.
By the time she was a teenager, Bokyung Byun had lived in South Korea, China, and the United States — giving her an international perspective, but also complicating her sense of belonging. And as many musicians do, she grappled with her feelings through music. For her visit to the Cleveland Classical Guitar Society on October 8, Byun brought a program designed around her identity, both as a performer and as a person.
Just before the Akron Symphony string section began a work by Jerod Impichchaachaaha’ Tate on Saturday evening, conductor Christopher Wilkins turned to the audience, raised a document, and began to read. What he had in his hand wasn’t program notes. As a pairing to the work by Tate — a member of the Chickasaw nation — Wilkins read a land acknowledgement for the city of Akron, honoring the Indigenous people to whom the land belongs.
After more than a decade spent together as an ensemble, Wu Han, Philip Setzer, and David Finckel have become very familiar with certain pieces. And they’re determined to make sure those works only get better with age. On September 13, the pianist, violinist, and cellist opened the 73rd season of the Cleveland Chamber Music Society with a staple in their repertory — Franz Schubert’s two piano trios.
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The Daily Diary is back from its two-week hiatus!
Local audiences may remember Stanislav Khristenko from his electrifying performances at the 2013 Cleveland International Piano Competition, where his performance of the Brahms Concerto No. 1 with The Cleveland Orchestra helped him to take home the grand prize. This summer, competition organizer Piano Cleveland has invited him back to perform as part of the inaugural PianoDays @CLE.