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Cleveland Chamber Music Society: a multifaceted “Spanish Journey” (Feb. 11)

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by Stephanie Manning

Ever since Punxsutawney Phil popped his head out to predict six more weeks of winter, Clevelanders have seen no respite from the cold and snowy weather. So February 11 was as good a winter day as any to escape to sunny Spain, via the latest concert from the Cleveland Chamber Music Society.

The Chamber Music Society of Lincoln Center visited Disciples Church in Cleveland Heights for “Spanish Journey,” a program in collaboration with the Cleveland Classical Guitar Society. While a celebration of Spanish music would not be complete without its characteristic dance styles, the evening’s focus on sensitive, romantic selections created a nicely balanced sampling of what that culture has to offer. [Read more…]

Tenor Jonathan Pierce Rhodes makes Cleveland-area debut with Apollo’s Fire

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by Stephanie Manning

Jonathan Pierce Rhodes is a musician with many interests — so many, in fact, that he almost didn’t pursue a career in music at all.

“I was really close to being a lawyer,” the tenor explained in a recent interview. As an undergraduate, he earned degrees in both music and political science. “Then the pandemic hit, and I got into grad school for music.  So I was like, ‘Well, that door is opening, so let’s just keep going in that direction.’”

That direction is steadily heading upward, thanks in part to his work with the Washington National Opera’s Cafritz Young Artists, multiple summers at the Glimmerglass Festival, and now an appearance with Apollo’s Fire.

Later this month, Rhodes will make his debut with the early music ensemble in “Classical Sparks,” singing arias by Mozart and Joseph Bologne. Rounding out the program is Haydn’s Symphony No. 8, “Le Soir,” Mozart’s Overture to La Finta semplice, and Mozart’s Violin Concerto No. 3 with soloist Alan Choo. The four performances will tour the area with appearances in Akron (February 27 at 7:30 pm), Bay Village (February 28 at 7:30 pm), Shaker Heights (March 1 at 7:30 pm), and the Cleveland Museum of Art (March 2 at 3:00 pm). [Read more…]

Apollo’s Fire: cheerful collaboration and “Virtuoso Brilliance” (Feb. 9)

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by Stephanie Manning

On Super Bowl Sunday — a day that brings out plenty of competitive spirit — spending the afternoon with Apollo’s Fire felt like the perfect balance. In the few hours before “The Big Game” on February 9, those of us listening to the music in St. Paul’s Episcopal Church in Cleveland Heights were all rooting for the same team.

The Baroque chamber orchestra performs in a way that values collaboration over competition, especially in a conductorless outing like this one. “Virtuoso Brilliance,” a program heard in Akron, Rocky River, and Cleveland Heights, united both musicians and audience in concertos by Antonio Vivaldi and Georg Philipp Telemann. [Read more…]

Piano Cleveland Live: piano, violin, and an Ohio City pub (Feb. 5)

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by Stephanie Manning

“How do we bring in people who are interested in piano music, but might be intimidated by their first experience being in a concert hall?”

That’s the question Marissa Moore said she and the Piano Cleveland team were considering when they started a series of free performances held in local bars.

As the host of the Cleveland International Piano Competition, Piano Cleveland puts on plenty of events in Severance Music Center — “which is the most beautiful but probably the most intimidating space you can imagine,” said Moore, the organization’s executive director. “We thought it was really important to pair that with places that have more accessibility.”

Since 2022, these small, relaxed concerts in neighborhood pubs have been going strong, and are now part of the series “Piano Cleveland Live.” Last week’s event on Wednesday, February 5 brought folks to Forest City Brewery to sip drinks, eat food, and listen to the music-making of pianist Arseniy Gusev and violinist Shannon Lee. [Read more…]

Cleveland Pops and LEGACY: Broadway on the Severance stage (Feb. 1)

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by Stephanie Manning

Cleveland is no stranger to welcoming Broadway talent, with Playhouse Square regularly hosting national tours of award-winning musicals. But on February 1, it felt like Broadway came to Severance Music Center instead.

The vocal quartet LEGACY teamed up with the Cleveland Pops Orchestra to present “Music of Motown,” a high-energy evening that was memorable in the best way. “Tonight is about having a really good time,” LEGACY founder Justin Reynolds promised the packed crowd — and the two groups certainly delivered. [Read more…]

Old Friends, New Collaboration: Anthony McGill and Emanuel Ax bring recital tour to Oberlin

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by Stephanie Manning

Reposted with the permission of Oberlin Conservatory

Throughout his decades of playing chamber music, Emanuel Ax has kept his friends close. “ It’s wonderful to have people on stage that you like,” the pianist says. “I’m pretty gregarious as a person, so I like being with someone, especially old friends.”

Now in his 70s, the esteemed musician has performed with many of the same collaborators for decades, including cellist Yo-Yo Ma and violinists Issac Stern and Leonidas Kavakos. But his next recital tour brings him together with someone new: clarinetist Anthony McGill.

The duo’s upcoming performances feature a program of wide-ranging music, and their travels include a stop at Finney Chapel. That concert, on February 4 at 7:30 pm, will be presented as part of Oberlin’s Artist Recital Series. [Read more…]

Oberlin Opera’s Ada Lovelace is as free as a bird (Jan. 26)

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by Stephanie Manning

Ada Lovelace’s “infinite energy” was more mental than physical. Lovelace, a 19th-century English mathematician, was chronically ill for most of her life — yet her agile mind worked magic on numbers, paving the way for important scientific discoveries.

That dichotomy is a cornerstone of The Infinite Energy of Ada Lovelace, composer Kamala Sankaram and librettist Rob Handel’s opera about the brilliant woman often considered the first computer programmer. Oberlin Opera Theater presented a simple but effective staging on January 26, directed by Cara Consilvio. [Read more…]

Wayne Center Presents: Chamber music among friends in Wooster

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by Stephanie Manning

A ’60s cafetorium might not sound like a great place to hear chamber music. But at the Wayne Center for the Arts, there’s more to the concert venue than meets the eye.

“ Crazily enough, it has unbelievably sharp, nice acoustics for chamber music,” Jarrod Hartzler said in a recent interview. “ It is not fancy. It is not super comfortable. But it is acoustically great.”

Hartzler is the vice president and managing director of ESQYRE, an Ohio-based music education non-profit partnered with the Wayne Center for the Arts in Wooster. The two organizations have created a concert series called “Wayne Center Presents,” featuring musicians both local and otherwise. The third season began earlier in January and will present monthly chamber music concerts through May 2025. Tickets are available online.
[Read more…]

DIARY: Wednesday, January 29, 2025

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by Stephanie Manning

HAPPENING TODAY:

Guest conductor Tito Muñoz (pictured) leads the Cleveland Institute of Music Orchestra tonight in a program of two staples: Tchaikovsky’s Violin Concerto and Stravinsky’s The Rite of Spring. That’s at 7:30 pm at Severance Music Center.

Admission is free, but register online for tickets. CIM student Zachary Brandon is the featured violinist.

For more details on this and more upcoming events, visit our Concert Listings.

ANNOUNCEMENTS:

The Prague Summer Nights Young Artists Music Festival will be holding live auditions next Wednesday, February 5, from 5:40 – 7:40 pm at Oberlin Conservatory. The month-long program in the Czech Republic will put on four orchestra concerts and six fully-staged operas between June 16 and July 14. Application information is available here.

INTERESTING READ:

“Morgiane” — maybe the oldest existing opera by a Black American — was never staged after composer Edmond Dédé completed it in 1887. Until now.

The history of the 545-page epic, its relatively recent discovery, and the composer’s connection to Black opera in 19th-century New Orleans are all chronicled in a recent feature for the New York Times.

Kevin O’Brien writes: “Now, almost 125 years after Dédé’s death, an unlikely team, including a historian, an antiquarian music dealer, two librarians, and a pair of New Orleans natives, has come together to salvage Dédé, make relevant his legacy and stage his greatest work for the first time.” [Read more…]

DIARY: Monday, January 27, 2025

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by Stephanie Manning

LOOKING AHEAD:

No concerts to open this week, but the coming days feature offerings from the Cleveland Institute of Music Orchestra, the Chicago early music group Schola Antiqua (pictured), the Resonance Project, and many more.

For more details and see what else is on the calendar, visit our Concert Listings.

TODAY’S ALMANAC:

by Jarrett Hoffman

Anniversaries on this particular date in classical music history go on and on — the birth of Mozart (Salzburg, 1756) and the death of Verdi (age 87 in Milan, 1901) just scratch the surface.

Given that January 27 is International Holocaust Remembrance Day — chosen for the date in 1945 when the Soviet army liberated the Auschwitz and Birkenau concentration camps — we’ll turn our focus to Czech pianist and composer Gideon Klein, who died on that same date in 1945 at age 25. [Read more…]

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