by Kate MacKenzie

A Winter Term education tour was the joint vision of professors Stephanie Havey and Kyung-Eun Na, who served as Stage and Music Directors. Both had extensive experience organizing similar outreach programs, and felt a call for Oberlin Conservatory to be more active in the wider community. Equipped with an enthusiastic student cast and crew, the show began rehearsal on January 9th, a mere ten days before its preview performance in Warner Concert Hall.
The thirty-minute children’s opera was adapted from the music of Gilbert & Sullivan operettas by Johan Davies, who rearranged the simple but catchy melodies and authored a playful libretto to match. [Read more…]






It was around 8:20 pm on October 10, 2001. I was sitting in Baldwin Auditorium at Duke University listening to Mozart’s Piano Concerto No. 9 in E-flat, K. 271, Le Jeunehomme. My teacher of six years, Olga Radosavljevich, known as “Ms. Olga,” was performing with the Duke Symphony Orchestra led by her longtime friend, conductor Harry Davidson. As a Cleveland Institute of Music Artist Diploma candidate, I understudied the piece and traveled to Durham, NC with Ms. Olga. She was having health issues that fall and was not sure if she could perform.
Oberlin piano professor Peter Takács celebrated the completion of a huge project in 2011 when his recordings of the complete Beethoven Sonatas were issued on the Cambria label in a handsome boxed set (read our review
When I first read about the
While the pandemic is still causing major disruptions in our nation’s educational system, there are countless stories of how teachers, students, and parents have come together and met their unique challenges head-on.
On April 25, 2020, my wife Chris Haff-Paluck passed away due to health complications related to breast cancer, lupus, and diabetes. For more than forty years, Chris had been a freelance double bassist, educator, mentor to young musicians, concert presenter, and arts manager at the Cleveland Orchestra Youth Orchestra, Oberlin Conservatory of Music, the Cleveland Institute of Music, and the founder and moving spirit of Arts Renaissance Tremont (ART).
When three trucks from Croton, Ohio’s Muller Organ Company pulled up to Trinity Cathedral in downtown Cleveland on January 11, the Cathedral’s history of distinguished pipe organs opened a new chapter.
That 1907 organ, Skinner’s Opus 140, served the Cathedral and its organist-choirmaster, Edwin Arthur Kraft (right), until the 1970s, when its outdated mechanism had deteriorated beyond the point of renovation.