by Mike Telin

On April 23 and 25 at 7:00 pm in Playhouse Square’s Mimi Ohio Theatre, CIM Opera Theatre will present Mozart’s masterpiece. The show is directed by Hudson and conducted by Harry Davidson. Tickets are available online.
by Mike Telin
by Mike Telin

On April 23 and 25 at 7:00 pm in Playhouse Square’s Mimi Ohio Theatre, CIM Opera Theatre will present Mozart’s masterpiece. The show is directed by Hudson and conducted by Harry Davidson. Tickets are available online.
by Stephanie Manning

“ When I was learning it, I really fell in love with the tune,” said Seán Dagher, a shanty singer and guest performer with Les Délices. The lyrics of “Red Iron Ore” tell the tale of a ship setting out from Cleveland to pick up some of the ore before returning home. “ Debra found a different set of lyrics and melody than people usually sing. So it’s nice to come up with something new with old source material.”
After his special appearances with the group in March, Dagher returns to Cleveland next week for a regular season program with Les Délices “The Mermaid,” a family-friendly concert combining classical and folk traditions, visits Akron on April 25, Cleveland Heights on April 26, and Rocky River on April 27. Tickets are available online. [Read more…]
by Mike Telin
by Mike Telin

In honor of its 75th anniversary, CCMS has planned a five-concert celebration from April 21 through 30 featuring the complete Shostakovich quartet cycle performed by the Jerusalem Quartet — violinists Alexander Pavlovsky and Sergei Bresler, violist Ori Kam, and cellist Kyril Zlotnikov.
The performances will be held in Gartner Auditorium at the Cleveland Museum of Art. James Wilding will give pre-concert lectures at 6:30pm before each event. Tickets are available online. On April 23 at 3:00 pm in the Museum’s Morley Lecture Hall, there will be a free screening of the 1964 Grigori Kozintsev adaptation of William Shakespeare’s Hamlet, featuring a searing score by Dmitri Shostakovich. Click here for more information and to view a full schedule of events.
by Mike Telin
by Mike Telin

Bach re-purposed a secular cantata to create his narrative of the resurrection of Jesus in 1725. Labadie will pair the Easter Oratorio on these programs with Bach’s Magnificat, a lovely (and unique for Bach) setting of the song Mary sang after learning she would bear Jesus, as reported in the Gospel of Luke.
by Stephanie Manning

“ I knew I already had these two huge commissions for 2026, so I was a little hesitant,” he said in a recent interview. “But I could tell that this was going to be a really cool project, because we had great people involved. It was just too good to pass up.”
The brass and percussion players of The Cleveland Orchestra, led by principal trumpet Michael Sachs, will premiere Boyer’s Festive Fanfare (For Akron’s Bicentennial) on Tuesday, April 22. Presented by Tuesday Musical, the 7:30 pm concert at E.J. Thomas Hall celebrates Akron’s 200th birthday with music by Giovanni Gabrieli, Percy Grainger, and Modest Mussorgsky. [Read more…]
by Kevin McLaughlin

On Saturday, April 5 at 4:30 pm in the Louis Stokes Wing Auditorium at the Cleveland Public Library, the Cleveland Silent Film Festival will continue their “CPL: Celebrating 100 Years” series with a screening of Alfred Hitchcock’s 1929 thriller Blackmail. Daniel Goldmark, Professor of Music at Case Western Reserve University, will introduce the film and the musical score. Admission is free.
The screening will also mark the debut of The Cleveland Photoplayers. Directed by pianist Eric Charnofsky (pictured), the ensemble includes violinist Emily Cornelius, cellist David Ellis, clarinetist Amitai Vardi, and cornetist Riley Conley.
by Daniel Hathaway

The main work on the program will feature violinist Olga Dubossarskaya Kaler, cellist Eleanor Pompa, and pianist Emanuela Friscioni, in Ludwig van Beethoven’s Triple Concerto.
Benjamin was named the fourth music director of the oldest women’s orchestra in the U.S. in 2023, following the lengthy tenures of its founder Hyman Schandler and his successor Robert L. Cronquist, who held the podium for 33 and 22 years respectively. During COVID, John Thomas Dodson served as interim music director for three-and-a-half years, passing the baton to Jungho Kim for a single season. [Read more…]
by Stephanie Manning

Six years on from that fateful performance, which helped earn Hasan the principal clarinet position, he and the orchestra are set to create some new memories with that same Mozart work. Music director Christopher Wilkins will lead Hasan and the Akron Symphony in a performance of the full, three-movement concerto on Saturday, March 29.
The 7:30 pm concert in E.J. Thomas Hall also features Joseph Bologne’s Overture to The Anonymous Lover, Jessie Montgomery’s Five Freedom Songs, and Beethoven’s Symphony No. 1. Tickets are available online. [Read more…]
by Max Newman
by Max Newman

“Even in his sweetest melodies, there are things that are powerful,” said Derek Snyder, the self-described “de-facto leader” of the Oblivion Project, a musical group that has been performing and exploring the works of Piazzolla for over twenty years.
The project will take the stage at the Cleveland Museum of Art’s Gartner Auditorium on Friday, March 28 at 7:30 pm. Tickets available online. I was lucky to get to speak to both Snyder and Malena Dayen, the project’s vocalist, over the phone prior to the performance.
by Stephanie Manning

“If it’s meant to happen, the music will find you.” That’s how Martha Redbone sees it. And it wasn’t until she was in college studying illustration in the late ’80s, that the music found her for good.
Back then, the advent of the first Mac was rapidly changing the art world. “As an illustrator who loved painting and drawing people, that digital world was not for me,” she said. Feeling torn, she turned to music as a creative outlet, starting as a background vocalist before progressing into a career as a lead singer. Together with her songwriting partner (and later life partner) the pianist Aaron Whitby, she began to write music that had stories to tell.
“ There was a connection and a resonance that I got from singing, and it gave me a sense of peace,” she says. “I’ll always be an artist, I’ll always be an illustrator. But the music is what ended up calling me, and I just listened to that call.”