by Mike Telin

The performance, which is part of the Duo’s 10th Anniversary tour, will feature works by Jason Charney, Hong-Da Chin, Erin Rogers, and Osnat Netzer.
In an interview with No Exit’s Laura King, Even said that Charney’s Interstittch is one of their earlier commissions and the most melodic, rock-inflected piece on the program.
She added that the other three works are drawn from their debut album, released in May 2020 by New Focus Recordings. “You’ll hear some similar sounds in these pieces — the term “extended technique” seems almost antiquated when multi-phonics, slap tonguing, and superball mallets are now as much a part of the basic vocabulary of our instruments as major scales and drum rudiments are… but each of the composers we worked with use those sounds in their own unique voice and syntax. Hong-Da Chin’s …time was not passing… it was turning in a circle… is a musical reflection on the cyclical nature of humanity’s path through history. Erin Rogers is a saxophonist herself, and Fast Love has a lot of the eclectic, noisy, improvisatory playing for which she’s known.








The long, rich history of string quartet music leaves today’s ensembles with plenty of classic works to explore. The Poiesis Quartet knows such standard repertoire well — their performances of Béla Bartók’s String Quartet No. 5 helped earn them their win at the Fischoff National Chamber Music Competition, which skyrocketed the group’s career in 2023.
The Oberlin Opera students have recently been learning to see their stage as a playground — literally.
The Cleveland Chamber Symphony has changed plenty since its founding more than 40 years ago. But some things are still the same.
