by Mike Telin

One of the few things Waarts has not done is to perform at ChamberFest Cleveland. That will change later this week. We reached the friendly violinist by telephone in Brussels where he was rehearsing for an upcoming recording project. [Read more…]




This week music for voice will take center stage when the dynamic soprano
This week harpist
It’s unconventional to interview a lighting designer for an upcoming chamber music concert. But then again, a performance of Anna Thorvaldsdottír’s In the Light of Air is unconventional, too.
When looking at cellist Jonathan Swensen’s Facebook page, you can’t help but think that he is one busy guy. And one who has a good time doing what he does.
Textile artist Jodi Kanter has developed a second career as a musical impresario. As artistic director of M.U.S.i.C. (Musical Upcoming Stars in the Classics), she heads a non-profit organization that searches out talented young musicians, gives them the opportunity to perform in concerts they curate themselves, and compensates them for their services.
Violinist Alexi Kenney was in his early twenties when he made his ChamberFest Cleveland debut. Still, his résumé up to that point was already impressive. He had won the Concert Artists Guild Victor Elmaleh Competition, had given recitals at the Kennedy Center in Washington D.C., and was the recipient of top prizes at the Yehudi Menuhin International Competition and the Mondavi Center Competition.
“The piece that you’re going to hear is not the piece that I wanted to write,” composer Yevgeniy Sharlat said during an interview.
Amber Rogers is no stranger to overcoming logistical hurdles. As Executive Director of the Cleveland Federation of Musicians’ Local 4 Music Fund, she is in her second year of coordinating She Scores — a concert series solely dedicated to living female composers. Rogers is grateful that her series has been renewed and revitalized in a big way.
Violinist