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ENCORE: A conversation with Jasmine Choi about George Crumb’s Voice of the Whale

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by Max Newman

“It’s natural, organic, and enjoyable, but shocking as well. It’s shocking that this modern nature sound could be depicted like this through music.”

That’s how Korean flutist Jasmine Choi described George Crumb’s avant-garde 1971 composition Vox Balaenae, or Voice of the Whale, during a recent conversation. That work for electric flute and cello and amplified piano will be performed on Saturday, June 15 at 7:30 pm at the Cleveland Museum of Natural History as part of ENCORE Chamber Music. This year the festival is themed around “Planet Earth” with the aim to “highlight the universal connection that we humans have with nature,” according to founder and artistic director Jinjoo Cho. Tickets are available online.

Jinjoo Cho and Jasmine Choi’s connection is a long-standing one, the two having known each other since attending the same middle school in Seoul. It is in part this relationship that is bringing Choi to Cleveland for this performance. “She reached out to me last year to ask me about this project, and I’ll always say yes to Jinjoo. I’ve always wanted to perform with her.”

[Read more…]

Harpist Bridget Kibbey makes ChamberFest debut

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by Mike Telin

ChamberFest Cleveland launches its 2024 season — three weeks’ worth of concerts inspired by the theme of  “Sacred and Profane” — on Wednesday, June 12 at 7:30 pm at the Cleveland Institute of Music’s Mixon Hall.

Opening night marks the ChamberFest debut of harpist Bridget Kibbey, who will be featured in Claude Debussy’s Danse sacrée et danse profane — and throughout the first week of the festival. Tickets for all performances are available online.

I caught up with the Findlay, Ohio native on Zoom and began our delightful conversation by asking her if it was true that she first heard the harp in a church.

Bridget Kibbey: That’s true. It was a small country Mennonite church. I was taking piano lessons at the time and one of my Suzuki piano kid mates’ mother was a harpist. I saw her play and was just floored, so I started lessons with her right away at age nine. That’s what makes Ohio so special, there’s so many local music studios. I think that’s why Ohio produces great musicians, great music teachers, and music lovers.

[Read more…]

Steven Daigle previews the first three shows of Ohio Light Opera’s 2024 season

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by Mike Telin

On Saturday, June 8 at 7:30 pm, Ohio Light Opera will launch its 2024 season with the 1937 hit musical Guys and Dolls. The show is the first of six titles that will run in repertory through July 28 at the College of Wooster’s Freedlander Theatre. Tickets for all performances are available online.

“At some level, we’ve already worked on all six of the shows,” OLO artistic director Steven Daigle said by telephone during a rehearsal break last weekend. “We’re getting to know the singers better now that we’ve had more time to work with them, and we’re excited — it’s going to be a really great company.”

Based on two short stories by Damon Runyon, with music and lyrics by Frank Loesser, Guys and Dolls follows a pair of big city gamblers and the women who are in love with them.

Daigle noted that OLO has been staging what he called “Golden Age Musicals” for the past eight to ten years. “We’re now at a point where we have already produced most of them. And when we were tracking some of the blockbusters, Guys and Dolls just came up as a fun show. [Read more…]

ENCORE returns with an ode to Planet Earth

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by Mike Telin

Each summer, ENCORE Chamber Music Institute’s Music and Ideas Festival brings artists and speakers from around the world to present engaging performances and thought-provoking discussions that are inspired by a theme such as Creatures of Emotion, Storytelling, and FIRE. The 2024 edition of the Festival will feature six concerts under the theme of Planet Earth.

“I wanted to highlight the universal connection that we humans have with nature,” ENCORE founder and artistic director Jinjoo Cho said during a telephone interview.  “Anybody who takes a walk in the beautiful Cuyahoga Valley National Park — listening to the sounds of nature — will feel more calm and more centered.”

Planet Earth begins on Friday, June 7 at Kendall Lake at Cuyahoga Valley National Park. “Roma Jazz on a Starry Night” features the Olli Soikkeli Band — Olli Soikkeli (guitar), Brad Brose (rhythm guitar), Paul Sikivie (bass), and Evan Arntzen (clarinet/saxophone). “Olli has a special place in that repertoire, and we’re excited to do our first concert with him.”

[Read more…]

Cleveland International Classical Guitar Festival marks its 24th season this weekend at CIM

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by Daniel Hathaway

From Thursday, June 6 through Sunday, June 9 the Cleveland Institute of Music will host the 24th edition of the Cleveland International Classical Guitar Festival. Presented by Guitars International, the Festival features a rich mix of recitals, master classes, and lectures by eminent guitarists, bracketed by the fourth annual James Stroud Youth Competition. In a telephone conversation earlier this week, founder and artistic director Armin Kelly said, “It’s a lot of work and a lot of worry, but I love it.”

Considering the festival’s many moving parts, only one complication arose this time around that required quick action on Kelly’s part. “We did have one concert artist we were hoping to bring this year, who a week or two ago informed us that their U.S. visa had been denied. Fortunately, we had another guitarist who lives in Colorado we were planning on bringing next year who we were able to move up to this year.”

That problem having been solved, I asked Kelly what particularly excites him about this year’s lineup. “Obviously, the festival reflects my taste,” he said, “but the individual refinement of our artists is, I think, quite special.” [Read more…]

Festival season in Cleveland gets underway

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by Daniel Hathaway

The early onset of summery weather even before May has run its course heralds a shift in Northeast Ohio’s classical music activity from concert series to festivals — six of which will launch in the next few weeks.

Local 4 of the American Federation of Musicians will present the fourth edition of She Scores, a celebration of music written by underrepresented composers, from May 30 through June 2 (Thursday through Saturday at 7 and Sunday at 4) in Mixon Hall at the Cleveland Institute of Music. In a preview article, Mike Telin writes, “what began with performances of works by 16 composers has now blossomed into a four-concert series featuring works by 31 living composers who identify as female or nonbinary.” Emily Laurance will give a pre-concert lecture an hour before each performance. Admission is free.

Encore Chamber Music’s 9th annual Music and Ideas Festival gets underway on June 2, and continues through June 24. [Read more…]

Heaven on Earth: An Overview of ChamberFest Cleveland’s 2024 Season

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by Donald Rosenberg
Reposted courtesy of ChamberFest Cleveland

“A paradox, a paradox, a most ingenious paradox,” sing Ruth, Frederick, and the Pirate King in Gilbert and Sullivan’s The Pirates of Penzance. They could be mulling over the theme of ChamberFest Cleveland’s 2024 season — “Sacred + Profane.” In chicken-and-egg metaphorical fashion, did the season’s title come first or the vast, fascinating selection of music?

In the end, it’s all rhetorical. ChamberFest audiences this year will be the beneficiary of glorious repertoire performed by stellar artists, whether or not the philosophical question of thematic priorities can be answered. What’s for certain is that co-artistic directors Diana Cohen, Franklin Cohen, and Roman Rabinovich are always on the lookout for a concept that will help them devise coherent, meaningful, and engaging programs.

A title is “always a jumping-off point for us to be thinking in a certain direction,” says Diana Cohen, “and then all kinds of other suggestions come through because of personnel or instruments or different considerations. It’s just a beginning.” [Read more…]

She Scores: Celebrating Underrepresented Composers

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by Mike Telin

Since 2021, Local 4 Music Fund’s She Scores project has been providing a platform for underrepresented composers who, despite their immense talents, face barriers to having their works performed. And what began with performances of works by 16 composers has now blossomed into a four-concert series featuring works by 31 living composers who identify as female or nonbinary. “We have over 70 people involved in the festival this year,” Local 4 Music Fund executive director Amber Rogers said during a telephone interview.

The fourth edition of She Scores runs May 30 – June 2 at the Cleveland Institute of Music’s Mixon Hall, with performances at 7:00 Thursday-Saturday and 4:00 on Sunday. Emily Laurance will present a pre-concert lecture one hour prior to each performance. All concerts are free. Click here to read bios of the composers and performers.

“In the past, the call for scores only went out to composers in Ohio. This year we added Pennsylvania, Indiana, Michigan, Kentucky, and West Virginia. And we have composers from every one of those states represented in the programming,” Rogers said, adding that the jury reviewed around 80 submissions, all evaluated anonymously — the jury didn’t know who wrote what, or what their backgrounds were.

[Read more…]

Kira McGirr to solo with Cleveland Repertory Orchestra

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by Mike Telin

If you were to ask any mezzo-soprano which piece they would love to perform, the answer might very well be Edward Elgar’s Sea Pictures. “It is true that we all want to sing it,” Kira McGirr said during a telephone conversation. “I think it’s because it fits the mezzo voice so perfectly. And there’s something about it that just grabs you.”

On Saturday, May 25 at 7:00 pm at Rocky River Presbyterian Church, McGirr will join conductor Matthew Salvaggio and the Cleveland Repertory Orchestra in Elgar’s five-movement song cycle for mezzo-soprano and large orchestra. The program also includes Jessie Montgomery’s Overture and Barbara Harbach’s Symphony No. 10 (“Symphony for Ferguson”).

Harbach’s work pays tribute to the tenth anniversary of the civil unrest in Ferguson, Missouri after the killing of Michael Brown during the summer of 2014. In an email Salvaggio said, “Harbach was living and teaching in St. Louis at the time, and the piece takes music familiar to people living in Ferguson (like Wade in the Water and Chester) and transforms them into a powerful reflection on the events of that summer from the perspective of someone living in that community.” The concert is free. Click here for advance registration.

Back to the Elgar, McGirr and I continued our conversation by delving further into the piece, beginning with the poems that make up its text.

Kira McGirr: There are five different poets, but I see the poems following a journey as opposed to being just five different poems. I will give acknowledgement to the wonderful Elgar scholar Charles McGuire, who presents the idea that there’s a narrative through the five poems. [Read more…]

No Exit concludes Year of Surreality with “Breaking the World”

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by Mike Telin

For the past eight months No Exit has been celebrating their 15th anniversary with their most ambitious project to date: Surreality. “We hope people will enjoy exploring the irrational, illogical, inexplicable, strange, and utterly fantastical world that is Surrealism,” artistic director Timothy Beyer told us in October.

On Thursday, May 23 at 7:00 pm at Heights Arts, No Exit will conclude their Year of Surreality with “Breaking the World.” The free program will feature new works by Jerome Begin, Lauren Pearl, Stephen Haluska, and James Praznik, as well as Marcel Duchamp’s Erratum Musical, and a simultaneous poem recited by Gunnar-Owen Hirthe, James Praznik, and Timothy Beyer. The program will be repeated at 7:00 pm on both Friday (at Praxis Fiber Arts) and Saturday (at SPACES Gallery).

In a recent telephone conversation Beyer said that this week’s program is a culmination of the ensemble’s season-long exploration of Surrealist techniques and topics, including games and thought exercises, state of consciousness, and dada, which is not technically Surrealism, but is related.

[Read more…]

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