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Apollo’s Fire: “Classical Sparks” at St. Raphael, Bay Village (Feb. 28)

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by Kevin McLaughlin

Three composers whose lives intertwined and whose music inspired one another — Wolfgang Amadé Mozart, Joseph Bologne, and Joseph Haydn — were the subject of Apollo’s Fire’s latest series of concerts, “Classical Sparks.” I attended the performance on Friday, February 28 at St. Raphael Catholic Church in Bay Village, for which artistic director Jeannette Sorrell had assembled a full classical orchestra of period instruments.

Mozart was represented with a delightful overture from his three-act opera La Finta semplice (“The Fake Innocent”), plus an aria from Don Giovanni, and the supreme Violin Concerto no. 3 in G, K.216. [Read more…]

Rocky River Chamber Music Society: JR Fralick & Friends (Feb. 24)

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by Kate MacKenzie

From somber Shostakovich to carousing cabaret, tenor JR Fralick displayed a range of his abilities on the Rocky River Chamber Music Society’s February 24th’s concert at West Shore Unitarian Universalist Church.

Fellow Baldwin Wallace faculty members Christine Fuoco, piano, Steve Sang Kyun Koh, violin, Lembi Veskimets, viola, and Khari Joyner, cello, collaborated with the vocalist for an evening of song.

Shostakovich’s Seven Romances on Poems by Aleksandr Blok was a dark but gripping start to the evening. Though written for tenor and piano trio, the full ensemble rarely played at once; instead, a dramatic range of moods and timbres emerged as the composer explored different combinations of instruments song by song. [Read more…]

Welser-Möst leads lyrical, hyper-charged Beethoven “Eroica” in Cleveland (Feb. 27)

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by Kevin McLaughlin

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Franz Welser-Möst was greeted with a hero’s welcome at Severance Music Center on Thursday, February 27, by the large and appreciative audience — even before a note of Beethoven’s “Eroica” Symphony had been played. He acknowledged the genuine warmth in the room, and the occasion of his return to the podium after a medical leave.

Opening the program was Shostakovich’s wintery Violin Concerto No. 2, with Leonidas Kavakos as soloist. It’s a mostly gloomy work not easily shaken from its brooding until the Finale — and even then, the raucous dancing is more crazed than jubilant.

[Read more…]

Les Délices: music fosters meaningful conversation at Cleveland’s VA Medical Center (Feb. 21)

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by Stephanie Manning

Navigating dementia — a common, yet devastating part of aging — requires confronting all sorts of complex emotions. People with memory loss, their caregivers, and the medical teams who interact with them all understand this well. So when Les Délices commissioned a piece tackling this difficult topic, they made a special effort to bring the music to those who would resonate with it the most.

The Louis Stokes Cleveland VA Medical Center hosted the early music ensemble for two performance-discussion sessions on February 21, a moving and emotional afternoon of empathetic, honest conversations about memory loss all framed by the solace of music.

At 12:00 pm, medical professionals and providers gathered in the rec hall, where flags of the U.S., the Department of VA, and the military’s many branches now provided a backdrop to a harpsichord and a collection of music stands. As part of the “Bioethics at Noon” series, the Les Délices musicians performed François Couperin’s La Visionnaire and selections from Viet Cuong’s world premiere, A Moment’s Oblivion. [Read more…]

Les Délices contemplates what makes us human in “A Moment’s Oblivion” (Feb. 23)

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by Stephanie Manning

“How wretched to forget,” sings the son in A Moment’s Oblivion — a character whose father now struggles to recognize members of his own family. “For all we were forms who we are.”

But the miracle cure that restores his father’s memory turns out to be a more fraught solution than it appears. Such is the conflict at the heart of Les Délices’ recent commission, with music by Viet Cuong and libretto by Cleveland poet Dave Lucas. The early music ensemble’s latest program surrounded the world premiere of A Moment’s Oblivion with more musical opportunities to reflect on the complex, and sometimes contradictory, emotions that make us human. [Read more…]

Baldwin Wallace Conservatory Opera: Speed Dating Tonight! (Feb. 15)

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by Peter Feher

In 2023, Axios reported that according to a recent poll, only about 20 percent of college students said they regularly used dating apps. The survey didn’t ask if anyone had ever tried good old-fashioned speed dating — presumably, that number would have been even lower.

The undergraduate performers in Baldwin Wallace Conservatory’s opera studies program can therefore claim a special distinction. More than a dozen BW singers took the stage at the Cleveland Museum of Art’s Gartner Auditorium over Valentine’s Day weekend for the local premiere of Speed Dating Tonight!

This quirky one-act opera, with words and music by composer Michael Ching, has received upward of 100 small productions since its 2013 premiere, and it’s easy to see why. If Ching’s concept is somewhat outmoded, the dramatic setup he contrives is perfect for a college or community organization that has talent and ambition to spare.

[Read more…]

Yuja Wang and Víkingur Ólafsson dazzle Severance crowd with piano virtuosity (Feb. 23)

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by Peter Feher

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Rock stars are known to make certain demands on tour, stipulating everything they expect to find in their dressing rooms and onstage.

Pianists Yuja Wang and Víkingur Ólafsson — two of the biggest names in classical music today — have one request that’s absolutely essential. In order to team up in recital and tackle the virtuosic repertoire they want to play together, Wang and Ólafsson each need a separate piano.

And so a pair of Steinways sat carefully arranged in Mandel Concert Hall at Severance Music Center on Sunday afternoon, Feb. 23. Both instruments had their lids off, and their keyboards were lined up center stage, the players side by side but facing in opposite directions. [Read more…]

Thomas Adès leads Cleveland Orchestra in colorful concert of Sibelius, Saariaho, Ives & more (Feb. 20)

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by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Thomas Adès is obsessed with sound color, as he vividly demonstrated with the assistance of the unflappable Cleveland Orchestra and Chorus (expertly prepared by Lisa Wong) in his guest appearance as curator, composer, and conductor at Severance Music Center on Thursday evening, February 20.

Works by Jan Sibelius, Kaija Saariaho, Charles Ives and Adès himself visited a vast spectrum of choral and orchestral hues that can be heard by the ear. Some of them use those colors to make poignant social commentary at the same time.

Color is represented impressionistically in the inexorable ebbing and flowing of the sea in Sibelius’ The Oceanides and Saariaho’s Otra Mar, and through musical collisions in Charles Ives’ Orchestral Set No. 2. And in the third, recently added movement of Adès’s America: the Prophecy, in ominous musical proclamations.

[Read more…]

Fabio Luisi leads Cleveland Orchestra in fascinating pairing of works by Colasanti and Bruckner (Feb. 13)

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by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — An odd but fascinating pairing brought the U.S. premiere of Italian composer Silvia Colasanti’s Time’s Cruel Hand and the 1888 version of Anton Bruckner’s Symphony No. 7 together on the same program in Mandel Concert Hall at Severance Music Center on Thursday, February 13. Fabio Luisi, music director of the Dallas Symphony, led resplendent performances of both works.

In addition to the striking contrast between their musical styles, the two pieces clock in at 20 and 65 minutes respectively — a conundrum for program planners, whose tasks would be much easier if composers would just format their orchestral works in neat, 30-minute packages.

[Read more…]

From “Jaws” to “Harry Potter,” Cleveland Orchestra performs John Williams’ iconic film scores (Feb. 14)

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by Kevin McLaughlin

This article was originally published on Cleveland.com

CLEVELAND, Ohio — On Valentine’s Day evening, Keith Lockhart ignited the Cleveland Orchestra and wooed the packed house at Severance Music Center in a retrospective, The Music of John Williams.

Friday evening was an indulgence — a trip down movie lane and performances by an orchestra at its most vivid, thanks to Williams’ ingenious scoring and Lockhart’s energized conducting.

Lockhart’s close link to Williams through the Boston Pops Orchestra, having succeeded him there as music director 30 years ago, showed in his innate understanding of the music and sure-handedness on the podium. Excerpts from “Jaws,” “Star Wars,” “Indiana Jones,” “E.T.” and “Harry Potter,” along with lesser-known Williams scores, made for an impressive showcase. Lockhart also engaged the audience with several amusing stories he had in his back pocket about Williams’ early days as a film composer.

[Read more…]

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