by Daniel Hautzinger
Genuine beaming smiles are a rare sight among high school students, those supremely self-conscious paragons of effortful cool. But on June 2, dozens of delighted adolescent grins shone forth from the stage of Severance Hall, an occurrence even more remarkable for taking place in the decidedly unhip venue of a classical music concert hall. Sharing the stage with such an exciting performer as pianist, singer, and songwriter Ben Folds elicited not only unembarrassed smiles, but also head banging and exuberant playing from the young musicians of the Contemporary Youth Orchestra (CYO), directed by Liza Grossman.
The orchestra, especially the brass and percussion, were uninhibited in dynamic arrangements of Folds’s songs by Iain Grandage, Michael Pigneguy, Paul Buckmaster, Graeme Lyall, Jim Gray, and James Ledger. That freedom from restraint is often absent when young musicians perform canonical music, so hearing CYO unabashedly enjoy their parts was a joy. [Read more…]
The Cleveland Orchestra’s production of Janácek’s Cunning Little Vixen was a tough act to follow, but the last concert of the Severance Hall season under guest conductor Vladimir Jurowski proved to be anything but anti-climactic. A sumptuous performance of an hour-long suite from Prokofiev’s ballet, Cinderella, a spellbinding reading of Britten’s Violin Concerto by Simone Lamsma and the opportunity to hear a very early Stravinsky work, the Scherzo fantastique, op. 3, added up to a surprisingly brilliant season finale. I heard the first of three concerts on Thursday, May 29.
On Friday night, May 23, a quartet of Cleveland Orchestra musicians — Isabel Trautwein and Katherine Bormann, violins, Sonja Braaten Molloy, viola, and Tanya Ell, cello — performed at Mahall’s, a combination restaurant, bar, and vintage bowling alley with a friendly, Brooklyn-esque atmosphere.
After a week of intense master classes, a lecture, and a pair of recitals by soprano Joan Rodgers with pianist Roger Vignoles, and baritone Andrew Garland with pianist Warren Jones, the ten singer-pianist teams for whom the twenty-second Baldwin Wallace Art Song Festival was designed got the opportunity to show off their vocal and pianistic wares — and presumably some newly-acquired skills — in a free recital in Gamble Auditorium on Saturday evening, May 24.
The Cleveland Orchestra performed a concert at Lakewood Civic Auditorium last Saturday evening, May 24, the last of fifteen free public events in its 2014 neighborhood residency, “At Home in Lakewood.” The featured soloist was the orchestra’s principal trombone, Massimo La Rosa, and music director Franz Welser-Möst conducted. The event was broadcast live on WCLV 104.9 FM, streamed through the orchestra’s own website, and recorded by IdeaStream WVIZ/PBS for telecast on Friday, May 30 at 9:00 pm. Excitement ran high as the 2,000 seat Civic Auditorium filled to capacity well before curtain time.
American baritone Andrew Garland presented a recital dubbed “The Quest — Don Quixote and Other Wanderers, ” as the second faculty performance of the 22nd Art Song Festival in Gamble Auditorium at Baldwin Wallace University on Thursday evening, May 22.
For the past 22 years George Vassos, retired chair of the voice department at the Cleveland Institute of Music, has labored mightily to ensure the preservation of that rarified musical event, the art song recital. In 1985 Vassos established an annual Art Song Festival at CIM; since 2004 it has been resident at Baldwin Wallace University in Berea and is now biennial, with occasional special events in the off-years.
Blue Water Chamber Orchestra concluded its 2013/2014 season on Saturday evening at Plymouth Church in Shaker Hts. with a concert billed as “Iron Composer and Iron Violinist”. Conducted by Carlton R. Woods, the program featured BWCO concertmaster Kenneth Johnston as soloist in Beethoven’s Violin Concerto and included Two Pieces for Small Orchestra by Delius and Around the Blue-S by 2013 Iron Composer Competition winner Jakub Polaczyk.