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Review: Cleveland Orchestra “Fate and Freedom” Festival — Beethoven 3 and Shostakovich 6 (October 24)

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by Daniel Hathaway

BeethovenShostakovichFranz Welser-Möst returned to the Severance Hall stage on Thursday evening to lead The Cleveland Orchestra in the first of three concerts on consecutive evenings that paired symphonies by Beethoven and Shostakovich under the banner of the orchestra’s “Fate and Freedom Festival.”

In a pre-concert chat in Reinberger Chamber Music Hall with director of artistic planning Mark Williams, Welser-Möst noted that he had been looking for a new way to program a Vienna Musikverein Beethoven cycle and credited the Takács Quartet with the idea of pairing Beethoven and Shostakovich on the same program. (The orchestra will repeat this three-concert cycle in the Austrian capital from November 20-22.)

Whether you care to go deeply into the philosophical and political similarities and contrasts between the two composers, as Welser-Möst did in his program book essay, or simply enjoy hearing a pair of their symphonies in close succession, there was a lot to stimulate the mind and the ear last weekend. Thursday evening’s short performance coupled Beethoven’s third symphony with Shostakovich’s sixth — each written during the composers’ thirty-third year. [Read more…]

Preview: Cleveland Orchestra — a conversation with guest conductor Jakub Hrůša

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by Mike Telin

Hrusa-Jakub-by-Petra-KlackovaThis weekend, Czech conductor Jakub Hrůša returns to Northeast Ohio to lead The Cleveland Orchestra at Severance Hall and Akron’s E.J. Thomas Hall in performances featuring the music of Haydn, Dvořák, and Janáček.

Although the program was to have included Dvořák’s violin concerto, yesterday the orchestra announced: “With deep regret, and on the advice of his physician, William Preucil is unable to perform as soloist this week with the Orchestra due to a pinched nerve.”

“I will miss Bill because I was looking forward to working with him immensely,” Jakub Hrůša told us this afternoon by telephone. “But the most important thing is for him to recover.”

Dvořák’s violin concerto has now been replaced with the composer’s symphonic poem The Golden Spinning Wheel. “I think it was a most natural decision, apart from replacing the soloist — which nobody wanted, me included.” Hrůša does think it was a very good idea to replace the concerto with one of the composer’s orchestral works. [Read more…]

Review: Cleveland Orchestra with Jahja Ling and Ray Chen at Blossom (August 11)

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by Daniel Hathaway

CHEN-RaySometimes everything works together for the good. On Sunday evening, perfect weather, a gifted young soloist, an engaging program and an energized conductor all conspired to create a memorable evening at Blossom. The soloist was violinist Ray Chen, his vehicle was Vivaldi’s popular quartet of concertos, The Seasons (teamed up with Rossini’s irresistible La gazza ladra overture and Mendelssohn’s scenic Scottish symphony), and the podium was commanded by an old Blossom friend, the estimable Jahja Ling. A large crowd assembled on the lawn and the pavilion was two-thirds full.

Though Chen, who is Australian, playfully suggested beforehand that he might start with Winter and play The Seasons in Down Under order, he began with Spring, as is customary, immediately creating synergy with concertmaster Jung-Min Amy Lee and principal second violinist Stephen Rose in a delightful series of bird calls. [Read more…]

Review: Nightingale Opera Theatre: Werther at Solon Center for the Arts (August 2)

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by Robert Rollin

werther_banner_360Last Friday evening’s Nightingale Opera Theatre production of Jules Massenet’s opera, Werther, was a delight. Above all it was meticulously prepared. Music Director John Simmons’ piano rendition was so exceptionally flawless that the orchestra was not missed. His expression was constant, and his balance of contrapuntal sections with and without the singers was meticulous.

Equally important was that tempos, climaxes and other details were so well ingrained that the pace was swift and effective. All cast members and even the children’s chorus kept things moving and did not not let the plot’s overwhelming sadness overcome the dramatic flow. The Solon Center for the Arts has an intimate, but well-equipped, stage that helped make scene changes seamless. The fine acoustics made the English translation easily intelligible.

Massenet imbued the opera with a wonderful musical tapestry that Simmons and the cast took great pains to delineate. [Read more…]

Nightingale Opera Theatre and Hudson Chamber Players plan August production of Werther and chamber concerts

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by Daniel Hathaway

DAVIS-MelissaMany performing organizations lay low in August. Others are just gearing up for late summer seasons. Nightingale Opera Theatre is in the final stages of rehearsals for its production of Massenet’s Werther at the Solon Center for the Arts on August 2 and 4, and the Hudson Chamber Players have three Sunday afternoon concerts in the works for August 4, 11 and 18 in Hudson and Cleveland. Both organizations are new on the scene in Northeast Ohio, and reflect the entrepreneurial spirit that seems to be bubbling up all over in today’s classical music world.

Melissa Davis (left) created Nightingale Opera Theatre just last summer with a production of Kurt Weill’s Street Scene at the Akron Art Museum. “There’re just not a whole lot of opportunities in this area for opera singers, especially sopranos. I wanted to start something and I guess I was just crazy enough to do it!”, Davis told us in a phone conversation. She chose Street Scene because its large cast allowed more than just a few singers and students to participate. “The Akron Art Museum was a bit too small for the show but we managed to make it work. It was a very intimate experience for the audience.”

Davis and her company followed up in March with two one-act shows, also staged at the Akron museum. [Read more…]

Review: ChamberFest Cleveland final concert — Mirrors at Dunham Tavern Barn (June 30)

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by Daniel Hathaway

CFC-June-30-AdamsFor the last of the eight concerts in its expanded second season, ChamberFest Cleveland moved from traditional concert halls (and a new art gallery) to our local urban version of a rustic summer New England venue, the Dunham Tavern’s barn on Euclid Avenue in midtown. The structure, built in 2000, replaced an 1840 horse and crop storage barn that was leveled by a fire in 1963. Though it looks rather modern and utilitarian from the outside, its wooden beams frame an interior space with warm acoustical properties.

There’s barely room to swing a viola there, much less accommodate a grand piano, so Mirrors was devoted to music by Purcell, Britten and Mendelssohn for three, four and five string players who stood (except for the cellists) to save room, optimize sight lines and broadcast the music over the heads of the capacity audience, who were packed into the space on folding chairs. The seating was uncomfortable and the temperature a bit on the warm side, but the afternoon was otherwise completely delightful, with the bonus of free ice cream outside afterward. [Read more…]

Review: ChamberFest Cleveland — A Tempo at Harkness Chapel (June 28)

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by Mike Telin

CFC-June-28a-AdamsAlthough the 2013 ChamberFest Cleveland theme is [It’s] About Time, a secondary theme could easily be Variety is the Spice of Life. On Friday, June 28 at Harkness Chapel the superb ChamberFest musicians presented a thoroughly engaging program full of musical variety from start to finish titled A Tempo.

The technically commanding and musically sensitive cellist Robert deMaine began the evening with a high energy performance of Alberto Ginastera’s Pampeana No. 2, Rhapsody for cello and piano. The brief work depicting the Argentine pampas or treeless plains gave deMaine ample room to demonstrate his soulful side as well as his virtuosic prowess. Pianist Matan Porat was a keen collaborator, performing with rhythmic precision.

Porat, together with violinist Yehonatan Berick and cellist Julie Albers, were of one musical mind during their captivating performance of Ravel’s Trio in A minor. [Read more…]

Preview: Les Délices’s Four Seasons — a conversation with hurdy-gurdy master Tobie Miller

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by Mike Telin

Miller-TobieIf you have been thinking that you wish you could find a concert featuring the hurdy-gurdy, this is your lucky weekend. And leave it to the always creative Les Délices to provide you with that weekend. On Saturday, April 20, beginning at 8 pm in William Busta Gallery and Sunday, April 21, beginning at 4 pm in Herr Chapel at Plymouth Church, Les Délices presents Four Seasons. The concerts feature master hurdy-gurdy player Tobie Miller in performances of Vivaldi’s famous violin concertos Printemps/Spring and l’Automne/Fall in eighteenth century arrangements for hurdy-gurdy and chamber ensemble by Nicholas Chedeville. The concerts also include music of Charles Buterne and Joseph Bodin de Boismortier.

Tobie Miller grew up in a family of classical musicians. After studies in Early Music Performance at McGill University, she moved to Basel to pursue postgraduate studies at the prestigious Schola Cantorum Basiliensis. Miller was the recipient of a further grant from the Canada Council in 2011-2012 for her work on the baroque hurdy-gurdy and transcriptions of J.S. Bach’s solo cello and violin repertoire for that instrument. Currently dividing her time between Basel and Montreal, Miller continues to perform and record with many ensembles on both continents. We reached Tobie Miller by telephone and began by asking her how she first came to the hurdy-gurdy. [Read more…]

Preview: Cleveland Chamber Music Society — a conversation with Takács String Quartet violist Geraldine Walther

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by Daniel Hathaway

TakacsQuartetThe Takács String Quartet, originally formed in Budapest in 1975 and since 1986 in residence at the University of Colorado at Boulder, will return to the Cleveland Chamber Music Society series on Tuesday, March 19 at 7:30 at Plymouth Church in Shaker Heights.

Pianist Garrick Ohlssohn will be the special guest for Brahms’s Piano Quintet in f, op. 34. Also on the program are Brahms’s Quartet in a, op. 51, no. 2 and Haydn’s Quartet in B-flat, op. 76, no. 4.

Compared to other long-standing groups, the membership of the Takács Quartet has been remarkably stable over its 38-year history. British violinist Edward Dusinberre took over the driver’s seat in 1993 and another British musician, Roger Tapping, replaced the original violist in 1994. Tapping was succeeded in 2005 by Geraldine Walther, who left her post as principal violist of the San Francisco Symphony to join the quartet. We spoke with Walther by phone in San Juan, Puerto Rico. [Read more…]

Preview: Solaris Quintet to collaborate with Cleveland Composers Guild

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by Mike Telin

SolarisDuring the past fifty years, The Cleveland Composers Guild, (CCG) one of the nation’s oldest new music organizations, has established an impressive record of supporting contemporary music. On Sunday, March 17 at 3:00 pm in Gamble Auditorium at Baldwin Wallace Conservatory, CCG joins forces with the renowned Solaris Wind Quintet in a concert featuring works by CCG members.

In recent years the Guild has collaborated with the Cleveland Ballet, the Poets’ and Writers’ League of Greater Cleveland (now called The Lit), the Rocky River Chamber Music Society, and the Cleveland Classical Guitar Society. “One of several groups that was under consideration to approach about showcasing compositions by guild members’ music was Solaris,” says Cleveland Composers Guild president David Gooding. “In fact they were very high on our list so we contacted them, and they were interested.”

[Read more…]

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