by Daniel Hathaway
Dionysius and Apollo each reigned over half of the Cleveland Orchestra program at Blossom on Saturday evening, July 15 under the direction of Franz Welser-Möst. Albert Roussel’s Suite No. 2 from Bacchus and Ariadne celebrates the invention of wine — for which picnickers on the Blossom lawn will be ever grateful — and Darius Milhaud’s Brazilian-infused ballet Le boeuf sur le toit takes place in a rowdy New York bar during Prohibition. Even with its premonitions of Romanticism and the composer’s signature quirkiness, Beethoven’s Symphony No. 7 brought a sense of Classical balance to the second half. [Read more…]