by Timothy Robson

by Timothy Robson

by Jarrett Hoffman

Taking the composer’s suggestion, ChamberFest Cleveland will cast a deep blue light over the stage of Mixon Hall at the Cleveland Institute of Music on Thursday evening, June 21, when they present Crumb’s underwater epic as part of a 7:30 pm concert titled “A Turn in the Road.” The program will also include Dvořák’s Piano Trio No. 3 in f and the “Adagio” from Berg’s Chamber Concerto.
I recently spoke with Scottish-born Lorna McGhee, principal flute of the Pittsburgh Symphony and professor at Carnegie Mellon University. [Read more…]
by Jarrett Hoffman

Rabinovich’s nonet version of that solo piano work will receive its premiere on Saturday, June 23 at 7:30 pm in Mixon Hall at the Cleveland Institute of Music. And the web of connections in that program, titled “Forging New Paths,” is worth spending an evening on itself. There’s the Handel-to-Brahms thread: on one end of the program is the Baroque composer’s Trio Sonata in c, HWV 386a, while on the other end are Brahms’ Handel Variations — in their new clothes picked out by Rabinovich. And in between is Ligeti’s homage to Brahms: the Trio for Horn, Violin, and Piano — a rare instrumentation for which the big B also composed.
You’ll see Rabinovich at the harpsichord in the Handel sonata, but our conversation focused on his arrangement of the Brahms for flute, clarinet, horn, bassoon, string quartet, and double bass. [Read more…]
by Delaney Meyers

The unconventional program will include music by virtuoso fiddler and composer Mark O’Connor, a diverse set of old folk songs played by Farrington and clarinetist Franklin Cohen, Dvořák’s folk-inspired Songs My Mother Taught Me with soprano Amanda Powell. In a phone conversation, Farrington said he is most looking forward to playing one of the lesser known pieces on the program: Krzysztof Penderecki’s Duo Concertante for violin and bass, written in 2010 and inspired by the composer’s long-term friendship with violinist Anne-Sophie Mutter.
[Read more…]
by Delaney Meyers

by Hannah Schoepe

Friday’s program will feature Brahms’ effervescent Piano Trio No. 1 in B, completed in 1854 and revised throughout the composer’s life. One of the most popular trios of all time, it reflects both the vivaciousness of Brahms’ youth and the emotional depth of his maturity. We recently spoke with David Bowlin, who admitted that the work is his favorite on the program. “I love the whole B-major trio,” he said. “Everyone loves the B-major trio!”
The concert also includes a modern twist: the Kodály Duo for Violin and Cello, and Janáček’s Pohádka (“Fairytale”) for piano and cello.
by Mike Telin
by Mike Telin

This season ChamberFest will consider the concept of freedom — an essential ingredient to the creative process. Beginning of June 14 and continuing through June 30, In Search of Freedom will explore the range of freedom in music, with nine concerts in a variety of venues.
In addition to violinist Diana Cohen and clarinetist Franklin Cohen, this year’s roster of returning artists will include violinists Noah Bendix-Balgley, Alexi Kenney, and Amy Schwartz-Moretti, violinist/violist Yura Lee, cellists Julie Albers, Clive Greensmith, and Oliver Herbert, bassist Nathan Farrington, and pianists Zoltán Fejérvári, Roman Rabinovich, and Orion Weiss. Making their ChamberFest debuts are violinist Noah Geller, violists Matthew Lipman and Tanner Menees, cellist Nicholas Canellakis, flutist Lorna McGhee, and singer Amanda Powell.
by Daniel Hathaway

Founded by Cleveland Orchestra principal clarinet emeritus Franklin Cohen and his daughter, Diana Cohen, who is concertmaster of the Calgary Philharmonic, the festival will feature such favorite artists as Yura Lee, Noah Bendix-Balgley, Alexi Kenney, Oliver Herbert, Roman Rabinovich, Orion Weiss, Nathan Farrington, Julie Albers, and Amy Schwartz Moretti. Among the new faces in 2018 will be flutist Lorna McGhee and violist Tanner Menees, one of this summer’s artists in residence. [Read more…]
by Mike Telin
by Mike Telin

by Samantha Spaccasi
