by Daniel Hathaway

by Daniel Hathaway

by Jane Berkner

by Daniel Hathaway

by Daniel Hathaway

In December of 2008, shortly after the launch of ClevelandClassical.com, we interviewed Karel Paukert about his forthcoming January performance of the Messiaen work at St. Paul’s Episcopal Church in Cleveland Heights. That performance observed the centenary of the famous French composer’s birth. Paukert’s reflections on La Nativité and on his own career, reprinted below, remain highly relevant six years later.
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Born in Prague, Karel Paukert came to the US by way of Reykjavík and Belgium. He taught and played organ in St. Louis and Evanston, IL before becoming a US citizen in 1972 and curator of musical arts at the Cleveland Museum of Art in 1974. During his thirty years in that post he played more than 800 organ recitals, administered two highly respected concert series, founded the Aki Festival of new music and arranged for the personal appearance of Olivier Messiaen and Yvonne Loriod in Cleveland in 1978. [Read more…]
by Mike Telin

by Mike Telin & Daniel Hathaway
It’s common for people who don’t like contemporary music to describe it as “noise,” but in 1913, the Italian painter and forward-thinker Luigi Russolo proclaimed intentionally-created noise to be the concert music of the future. In his Futurist Manifesto, L’arte dei rumori (The Art of Noises), Russolo summarizes the evolution of Western music and arrives at a radical conclusion:
Ancient life was all silence. In the 19th Century, with the invention of machines, Noise was born. Today, Noise is triumphant and reigns sovereign over the sensibility of men…As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound…We must break out of the limited circle of sounds [of the orchestra] and conquer the infinite variety of noise-sounds. [Read more…]
by Nicholas Jones

by Timothy Robson


On Thursday, December 11 at 7:30 pm, The Tallis Scholars make their CMA debut with a program of Renaissance choral music by William Byrd, Josquin des Prez, and Edmund Turges. Director Peter Phillips founded The Tallis Scholars in 1973. Through recordings and concert performances, the ensemble has established itself as the leading exponent of Renaissance sacred music throughout the world. Phillips has worked with the group to create, through good tuning and blend, the purity and clarity of sound that he feels best serves the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is this resulting beauty of sound for which The Tallis Scholars has become so widely renowned.
by Jarrett Hoffman
