by Jarrett Hoffman
Avi Avital remembers meeting Omer Avital — no relation — in the cafeteria at the Jerusalem Music Academy.
“We both had this look on our faces like, ‘What’s in that strange instrument case?’” Avi told me during a recent phone call. “He was with his oud, and I was with my mandolin.”
They started talking and discovered how much they had in common. “There’s the family name, for one thing,” Avi said. “We’re not blood-related, but it’s the DNA of our heritage — Avital is a name that is typical to Jewish Moroccan families.” Both Avi and Omer were born and raised in Israel, their parents having immigrated there from Morocco. “We connected very fast.”
German violinist Carolin Widmann rarely performs in the U.S. — and we Americans might be feeling a tad neglected.
François Girard’s latest film, 
When I asked Xiaoxuan Li how he started playing the piano, he gave me an honest answer. “I was four years old, so I remember nothing, but my mom let me study it and I really loved it,” Li said during a telephone conversation. “She said that many kids didn’t want to practice but I was totally different.”
“The music as always speaks its own language.” In a program note for his new piece 
The average classical musician’s biography is a thinly veiled list of names. A performer’s teachers, schools, venues, festivals, grants, and roles may impress when dressed up in prose, but they sit side by side haloed by auras of significance, like hieroglyphs. How refreshing, then, to read a bio that sums up the appeal of a group in plain terms by the third sentence: “Since its inception, the ensemble has been defined by its unique sound, appealing as much through the personality of each timbre as it does through the color and the uniformity of the voices.” This honesty in advertising is hardly the only thing for which Northeast Ohioans can thank Vox Luminis, the Baroque-focused vocal ensemble who performed in Cleveland last week.
Since its inception in 2008, the Cleveland Foundation’s Creative Fusion program has brought more than eighty international artists to Cleveland for residencies. Now, and for the first time in its history, the Cleveland Museum of Art (CMA) will make a serious commitment to the commissioning of new music in partnership with the Cleveland Foundation.