by Mike Telin
It’s all about “the Father of the Symphony” this week at Severance Hall when British conductor Matthew Halls leads The Cleveland Orchestra in three all-Haydn programs that include the Overture to L’isola disabitata, the Concerto for Two Horns, featuring TCO horn players Richard King and Jesse McCormick, and the Symphony No. 101 (“The Clock”). Check our Concert Listings page for dates and times.
All three programs also include Haydn’s Piano Concerto No. 11 in D major featuring Marc-André Hamelin as soloist. “I’m looking forward to the concerts very much because this is my debut with The Cleveland Orchestra,” the friendly Hamelin said during a telephone conversation from his home in Boston. [Read more…]
Finnish guest conductor Susanna Mälkki and American pianist Jeremy Denk both made their Cleveland Orchestra debuts on Thursday evening, April 23 at Severance Hall in an impressive program of works by Jean Sibelius, Béla Bartók and Igor Stravinsky. The chemistry between the two and the Orchestra produced a precise but risky journey through Bartók’s third piano concerto that was edge-of-your-seats thrilling. 
French guest conductor Lionel Bringuier and French cellist Gautier Capuçon brought a program of French music both well-known and obscure to Severance Hall last weekend. The ever-adaptable Cleveland Orchestra took on a French accent for the occasion, producing a concert that was elegant and savory, and structured like a classic French menu. I heard the performance on Thursday evening, April 16. 
Now that the first spring flowers are poking their heads out of the ground, it’s a good time to look ahead to The Cleveland Orchestra’s busy schedule of events for April and May. And who is in a better position to talk about that than Ross Binnie, the orchestra’s chief marketing officer?
If you didn’t catch one of last weekend’s Cleveland Orchestra concerts, you missed an extraordinary experience. Pianist Daniil Trifonov, making his Severance Hall debut on Thursday evening, March 19, was simply breathtaking in Shostakovich’s first concerto — in cahoots with principal trumpet Michael Sachs and guest conductor Jahja Ling. And Ling’s interpretation of Rachmaninoff’s second symphony — the only other work on the program — was as sonorously thrilling as it was expertly paced. 
“I’m really excited to be back in Cleveland this weekend. It is an honor, and a very important step in my career to be making my Severance Hall debut with The Cleveland Orchestra,” pianist Daniil Trifonov said during a telephone conversation. “Of course I’ve been to Severance Hall on numerous occasions to hear concerts as a listener, but this is a dream that is finally coming true.”
If the goal of the Cleveland Orchestra’s Fridays @ 7 series is to create more diversity in their audiences, the concert in Severance Hall on Friday, March 13 can be considered a fantastic success. Curated by Jamey Haddad, the pre- and post concerts that sandwich the orchestra’s performance included music from singer, songwriter and accordion player Magda Giannikou, students from Oberlin’s performance and Improvisation Ensembles, and the eclectic jazz and funk band Snarky Puppy.