by Timothy Robson

by Timothy Robson

by Daniel Hathaway

In the interim, Acres and his wife Judith have been busy on another project in South Carolina. “We have been concentrating on our choir in Charleston, The King’s Counterpoint, and we have enjoyed a wonderful 24 months,” Acres wrote in a recent email.
“A series of Baroque Messiahs and the inaugural concert in our exploration of Handel’s Oratorios, commencing with Judas Maccabaeus — both with members of the North Carolina Baroque Orchestra; a critically acclaimed performance in last year’s Piccolo Spoleto Series and an invite to return this year; together with over 16 performances in South Carolina, have stopped us from returning to Cleveland to explore more high-voice repertoire with Contrapunctus.”