by Daniel Hathaway
Contrapunctus Early Music, a vocal project launched in Cleveland by British countertenor David Acres, has been absent from the local musical scene for four years now.
The high-voice chorus of sopranos, altos, and countertenors will reanimate itself this weekend to join The King’s Counterpoint from Charleston, S.C. in a joint performance on Friday, March 25 at 7:30 pm at St. John’s Cathedral in downtown Cleveland.
In February 2018, before Contrapunctus’ last concert here, Acres told this publication that his involvement with King’s Counterpoint had kept him so busy that Cleveland had temporarily fallen off the calendar.
“A series of Baroque Messiahs and the inaugural concert in our exploration of Handel’s Oratorios, commencing with Judas Maccabaeus — both with members of the North Carolina Baroque Orchestra, a critically acclaimed performance in the Piccolo Spoleto Series and an invite to return, together with over 16 performances in South Carolina, have stopped us from returning to Cleveland to explore more high-voice repertoire with Contrapunctus.” [Read more…]
Contrapunctus Early Music,
Contrapunctus Early Music is a relatively recent constellation in the Cleveland musical heavens. The a capella chamber ensemble is led by English conductor David Acres and comprises a number of Northeast Ohio’s finest professional and semi-professional singers (17 for this concert). On Sunday in Mary Queen of Peace Church on Pearl Road, Contrapunctus presented an intriguing program of polyphonic music by Spanish composers from the 13th to the 17th century. 
British countertenor David Acres will lead the professional singers of Contrapunctus Early Music in a free program of vocal music by Spanish composers of the 13th to 17th centuries on Sunday, May 31 at 3:00 pm in Mary Queen of Peace Church on Pearl Road in Old Brooklyn. “We hope people will come and enjoy music they’ve never heard before,” Acres said in a telephone conversation.
Historians of the arts sometimes ask: did England have a Baroque? Northern, chilly, and Protestant, could the British match the splendid Counter-Reformation emotionality of Catholic Rome? The answer arguably lies in three artists of the late seventeenth century, all of them working primarily in London: Christopher Wren (St. Paul’s Cathedral — noble, symmetrical, and infinitely baffling); John Milton (Paradise Lost — magnificent, touching, radically modern); and Henry Purcell — whose music is moving, challenging, surprising, and constantly creative. 
on’t be surprised if the second concert by Cleveland’s new choral ensemble, Contrapunctus, at St. John’s Cathedral in downtown Cleveland on Friday, June 6 at 7:30 pm, is missing a few voice parts — tenors and basses, in fact. British countertenor David Acres, who founded and conducts the ensemble, planned it that way.