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Oberlin TIMARA: memories of water at Wurtzel Theater (Mar. 12)

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by Jacob Strauss

hereOn March 12, the audience was invited to sit on the floor in the middle of Wurtzel Theater for a program of compositions and soundscapes created by faculty members of Oberlin Conservatory’s TIMARA (Technology in Music and Related Arts) program. This was the first public presentation of their work since March 2020.

Each piece was individually introduced by the artist. After telling us a little bit about what we were about to hear, the environment changed: colorful washes of light fell over us, and we became surrounded by music. [Read more…]

Has the Pandemic Changed the Definition of Live Music?

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by Max Shain

The COVID-19 pandemic has changed the shape of the live music industry, impacting musicians, audiences, curators, managers, venue owners, festival directors, and recording engineers. Not only have revenue streams shifted, but it has caused many to rethink their definition of live music.

I spoke with six people from different sectors of the music industry to find out how their perception and experience of live music — as well as their expectations for its future — have changed over the past year. I also spoke to a few of my friends who served as proxy “Jane and Joe” audience members.

[Read more…]

New app brings acoustics of Oberlin’s concert halls to your computer

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by Jarrett Hoffman

It’s uncomfortable to be inside a small space. What about being in a large space that’s often full of happy people, except it’s the middle of a pandemic, and you’re there alone?

“It was kind of spooky,” Andrew Tripp said during a recent conversation. Tripp is co-director of the Recording Arts and Production program at Oberlin Conservatory, as well as the associate director of Audio Services.

In early April, he made his way from one performance venue to the next on the mostly vacant campus. Armed with a two-way speaker, omnidirectional microphones, and a portable recorder, his goal was to “sonically document” each space, which involved the playing and recording of both music and a 30-second frequency sweep.

It was an idea Tripp had been cultivating for a few years, but one that was now more relevant than ever: with students unable to visit Oberlin’s halls, the halls could come to the students.

[Read more…]

TIMARA turns 50, and
there’s going to be a party

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by Mike Telin

There’s going to be a party at Finney Chapel on Saturday, November 16 beginning at 7:30 pm. The grand occasion marks the fiftieth anniversary of Oberlin Conservatory’s TIMARA (Technology in Music and Related Arts) program, the nation’s first conservatory program in electronic music.

“Olly Wilson taught the first electronic music course in 1969 and John Clough taught the first computer music class in the spring of 1970,” associate professor of computer music and digital arts Tom Lopez said during an interview. “We thought that 50 years was cause to celebrate.”

Organized by Lopez, the free Kaleidosonic Music Festival will feature nearly 500 musicians performing a variety of styles — gospel, classical, rock and roll, jazz, early music, marching band, serious, funny, and avant-garde.

“Kaleidosonic will be an epic celebration of music at Oberlin. It includes musicians and ensembles from the Conservatory, the College, and the community,” Lopez said. “We’re calling it a festival because it is more than a concert. It will be many hours long and the music will be non-stop — one big, long, sonic collage of ensembles, groups, and individual musicians. People can come and go as they wish and there will be food trucks available from 7:00 until 10:00.” [Read more…]

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