by Mike Telin

She’ll be joined by actress Merle Dandridge (The Last of Us), the Emerson String Quartet — Eugene Drucker and Philip Setzer (violins), Lawrence Dutton (viola), and Paul Watkins (cello) — and pianist Simone Dinnerstein. In addition to Penelope, musical selections include Philip Glass’s Etude No. 6 and Beethoven’s String Quartet No. 14. Tickets are available online.
Although the score was left unfinished at the time of Previn’s death on February 28, 2019, it was completed by David Fetherolf, Previn’s longtime editor. The monodrama received its world premiere at Tanglewood on July 24, 2019.
Fleming graciously agreed to answer questions by email.
Mike Telin: Who originally had the idea for this project?
Renée Fleming: The Emerson Quartet and I shared a friendship with André Previn. (André had composed the opera of A Streetcar Named Desire, which I premiered, as well as some concert works and song cycles.) We decided to try to commission him to compose something for us. I knew that one of André’s good friends was playwright Tom Stoppard, of whom I am also a great fan. I thought, ‘Well you never know, why not ask them?’ It turned out that they both liked the idea, and they had already discussed writing something for my voice. I believe it was Tom who suggested Penelope, the classical heroine, as a subject.



On Wednesday, July 18 at 7:30 pm, The Emerson String Quartet will perform with cellist Jerry Grossman in Ludwig Recital Hall as part of Kent/Blossom Music Festival’s 50th anniversary concert season. I spoke with Philip Setzer, violinist of the Emerson, by telephone and asked about the program and his personal connections with KBMF as an alumnus. The Quartet is this year’s Kulas Guest Artist.
