by Daniel Hathaway

by Daniel Hathaway

by Mike Telin

“We’re very excited about this concert,” said CCS’s conductor and Festival music director Steven Smith. “For the first time we will join forces with CYO for a side-by-side performance. This will be one of the highlights of the Festival, because Bernard wrote his London Serenade for the Chamber Symphony. We’ve played it several times over the years, and, I think there’s something poignant about bringing the piece back to life alongside a new generation of players.” [Read more…]
by Mike Telin
For the past nineteen seasons, Liza Grossman has been inspiring young musicians to become enthused about contemporary music. On Sunday evening, December 7, in Cleveland State University’s Waetjen Auditorium, the fruits of her tireless labor were fully realized in a glorious concert that began the Contemporary Youth Orchestra’s twentieth anniversary season. [Read more…]
by Mike Telin

The program will include Rands’ London Serenade and Danza Petrificada as well as the world premiere of his Music for Liza and the Contemporary Youth Orchestra: Theme for CYO. Richard Hill and Chris Barber’s Concerto for Jazz Trombone and Orchestra will feature CYO concerto competition winner Rachel Waterbury as soloist.
The evening will also present the world premiere of Stefan Podell’s Concerto for Two Violas and Orchestra featuring Lynne Ramsey, First Assistant Principal Viola of The Cleveland Orchestra, and Jeffrey Irvine, Fynette H. Kulas Professor of Viola at the Cleveland Institute of Music.
by Mike Telin

On Friday, May 24 beginning at 9:00 am, also in Mixon Hall, Vieaux will lead a master class via Distance Learning. Guitar students from the Cleveland Institute of Music and the Royal Danish Academy of Music will perform on and off site via CIM’s innovative Distance Learning audio/video hook up and be coached by Jesper Sivebak, head of the RDAM guitar department.
Since winning the Guitar Foundation of America’s International Competition at the age of nineteen, Jason Vieaux has earned a reputation for putting his expressive gifts and virtuosity at the service of a remarkably wide range of music. [Read more…]
by Daniel Hathaway

Instrumentalists are fond of poaching each others’ sonatas and concertos — think of César Franck’s Violin Sonata, which has been successfully appropriated by cellists (and perhaps less convincingly by flutists). In this case, the translation from cello to viola by the foremost British violist of his era was vetted and approved by Elgar himself. [Read more…]