by Daniel Hathaway
This article was originally published on Cleveland.com
CLEVELAND, Ohio — The Cleveland Orchestra’s program on Thursday at Severance Music Center looked strange on paper, beginning as it did with the Cleveland premiere of an intellectually thorny cello concerto and ending with two of Richard Strauss’s dazzling tone poems played back-to-back.
But Til Eulenspiegel’s Merry Pranks and Don Juan proved to be effective palate cleansers following Alisa Weilerstein’s commanding performance of Unsuk Chin’s Cello Concerto. Setting its challenges for the listener aside, you could concede control over the proceedings and let conductor Alain Altinoglu be your tour guide through the mischievous and lascivious exploits of the two bad boys that Strauss immortalized in his virtuosic scores.
This article was originally published on 
Robert Schumann wrote his three string quartets in a span of less than two months during the summer of 1842. We think of such intensely productive times as manic, especially for Schumann, who is now thought to have suffered from bipolar disorder. But in some ways, the music of Op. 41 belies that.
On Tuesday, December 3 at 7:30 pm at Plymouth Church, the Dover Quartet will return to the Cleveland Chamber Music Society bearing a healthy, six-week-old piece of music by David Bruce alongside works by Britten and Brahms.
Since winning the grand prize and three special prizes at the 2013 Banff International String Quartet Competition, the Dover Quartet — Joel Link and Bryan Lee, violins, Milena Pajaro-van de Stadt, viola, and Camden Shaw, cello — have quickly risen to the forefront of young, internationally touring string quartets. Following that 2013 breakthrough, the ensemble has added to their resume a Cleveland Quartet Award, a Lincoln Center Emerging Artist Award, and most recently an Avery Fisher Career Grant.