By Daniel Hathaway|Cleveland Classical
This article was originally published on Cleveland.com
CLEVELAND, Ohio — Franz Welser-Möst and The Cleveland Orchestra set a high musical bar early in their new season at Severance Music Center on Thursday with totally committed performances of unique works by Arthur Honegger and Gustav Mahler.
Honegger set out to express the horror of World War II in three arresting movements named after religious texts in his Symphony No. 3, subtitled “Symphonie liturgique.”
And Mahler, who once said, “A symphony must be like the world. It must contain everything,” turned away from that idea in his symphonic song cycle “Das lied von der Erde,” crafting a six-movement work that simply sought to capture the experience of being human on planet Earth.
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Robert Schumann wrote his three string quartets in a span of less than two months during the summer of 1842. We think of such intensely productive times as manic, especially for Schumann, who is now thought to have suffered from bipolar disorder. But in some ways, the music of Op. 41 belies that.
On Tuesday, December 3 at 7:30 pm at Plymouth Church, the Dover Quartet will return to the Cleveland Chamber Music Society bearing a healthy, six-week-old piece of music by David Bruce alongside works by Britten and Brahms.
Since winning the grand prize and three special prizes at the 2013 Banff International String Quartet Competition, the Dover Quartet — Joel Link and Bryan Lee, violins, Milena Pajaro-van de Stadt, viola, and Camden Shaw, cello — have quickly risen to the forefront of young, internationally touring string quartets. Following that 2013 breakthrough, the ensemble has added to their resume a Cleveland Quartet Award, a Lincoln Center Emerging Artist Award, and most recently an Avery Fisher Career Grant.