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Ohio Light Opera: Rodgers & Hammerstein’s Cinderella (June 18)

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by Jacob Strauss

In youth, everybody has dreams of becoming someone larger than they are, to drastically change the circumstance of their life. It is a story as old as drama itself and has been told continuously through thousands of generations by all people. The story is about hope in a wish, about dreams coming true not through fate or destiny, but by acting on the few opportunities we have in life.

Rodgers & Hammerstein’s Cinderella was originally produced for television in 1957 — seven years after the animated Disney film was released — and starred Julie Andrews. According to the Rodgers & Hammerstein website, it was viewed by over 100 million people. [Read more…]

Ohio Light Opera: Hello, Dolly! (June 23)

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by Daniel Hathaway

On June 23, Ohio Light Opera rang up the curtain on the second production of its 43rd season in Freedlander Theatre at The College of Wooster. Following on the heels of Rodgers & Hammerstein’s Cinderella, the company’s first-ever staging of Hello, Dolly! continued the inclusion of Broadway in OLO’s repertoire.

The story line has its origin in an 1855 play and an 1842 farce that Thornton Wilder mined for his 1938 play The Merchant of Yonkers. When that turned out to be a flop, in 1954 Wilder made the crucial decision to re-center the show around the character of the legendary marriage broker Dolly Gallagher Levi and renamed it The Matchmaker. [Read more…]

Ohio Light Opera: Bernstein’s Candide (July 11)

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by Timothy Robson

Ohio Light Opera’s production of Leonard Bernstein’s Candide is in the midst of a repertory run through early August in the Friedlander Theatre at the College of Wooster. It is a splendid affair in every regard, and I can recommend it without reservation. The principal roles are double-cast — I saw it with the July 11 ensemble. [Read more…]

Ohio Light Opera: Fifty Million Frenchmen

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by Kelly Ferjutz
Special to ClevelandClassical.com

If you blink during the momentary lights-out between the end of the overture and the curtain going up, you might think you’ve somehow been transported to Paris in 1929. Time-travel, perhaps? Ohio Light Opera’s production of Fifty Million Frenchmen in Freedlander Theater at the College of Wooster is very realistic, to be sure, and totally enjoyable, but then, what’s not to like in a Cole Porter creation?  His insouciant music and beguiling lyrics can support just about any plot imaginable. But this one, by Herbert Fields, is downright perfect. [Read more…]

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